Tag: Zachary Ruane


Stories of silence, speaking out and survival

By Myron My

There’s a strong sense of unease as I take my seat for Little Daughters. Having to walk through the seven motionless actors on the stage to get to my seat is quite eerie and almost intimidating. They are all dressed in black and with the stage bare and cloaked in black too, there is a dark mood that covers the room. The six men on stage stare intently at the sole woman: their eyes pierce through her skin as if they were daggers.

Little Daughters

It is never explicitly stated what happens to this woman (Annie Lumsden) but we get enough information to know that she is the victim of a sexual assault. The six men portray a doctor, boyfriend, friends and possible assailant. The one thing they all have in common though is their demand at controlling and handling the situation. While the men discuss the woman’s assault among them, they consistently talk at her when addressing the issue. The idea that she perhaps needs to forget about it and move on is thrown around, and there is an echo of doubt and frustration coming from them all, in particular the over-the-top portrayal of her doctor (Martin Can De Wouw), who is comically frightening in his assessment and treatment of Lumsden’s character.

Director Zachary Ruane delivers some great moments in his direction of Little Daughters: in particular, when having the men not only exit the stage at one point, but exit the room all together. Initially it’s down to Lumsden and Raymond Martini on stage. Again, while nothing is confirmed, you get the strong impression that his character is her assailant. It’s an ambiguously confronting moment that Ruane handles with great skill.

Ultimately it is once Martini leaves the room that Lumsden’s character can finally open up and speak freely about her experience and emotions. Sadly though, she can only feel like being honest when she is alone, when she is no longer being talked at or patronised or threatened by the men in her life. It’s a strange monologue but it shows the thought process and ideas that formulate in the mind of a survivor of sexual violence.

The reason it all feels so real and exposed is because playwright Annie Ferguson has based Little Daughters – her first full-length play – on her own personal experience with sexual violence. It’s an extremely brave piece that has been in formation for a number of years, that now generates the right amount of tension and exposition to slowly envelop us. Even though Lumsden’s character’s story is based on Ferguson’s experience, it could be anyone’s story, and we are all inside that story and we all need to start listening to survivors of sexual violence to bring that story to an end.

Venue: La Mama Theatre, 205 Faraday Street, Carlton
Season: Until 21 June | Wed 6:30pm, Thurs-Sat 7:30pm, Sun 4pm
Tickets: $25 Full | $15 Conc
Bookings: La Mama Theatre

REVIEW: Aunty Donna

Sketches of comedic truth

By Narelle Wood

It was clear while lining up for this show that I didn’t really fit into the normal demographic of Aunty Donna’s target audience. So it was with a little trepidation that I went to what this show.


The comedy trio of Mark Samual Bonanno, Broden Kelly and Zachary Ruane that is Aunty Donna provide a series of comedy sketches, which while all separate sketches do strangely come together in the end with the help of their nemesis comedy group the Bubble Bath Boys. Many of the funniest sketches are based on comedic truths, such as standing in queues, misreading situations and playing ball in the quadrangle.

The combination of music, dialogue and dance makes for a very energetic show that smoothly transitions from one sketch to the next. The comedic timing is perfect and while the show heads towards some ‘smutty’ comedy, it approaches the line but for me it never crossed it. This means the show is funny without being cringe worthy, and that I was happy to forgive being hit in the face with water.

Aunty Donna clearly has a following and I now understand why; there is something reminiscent of DAAS in their sketch comedy performance. While there are plenty of shows to select from in the Comedy Festival, but if sketch comedy is what makes you laugh most, make sure you catch Aunty Donna.

Venue: The Cube, ACMI, Federation Square

Season: 9.45pm until 19th April (Sundays 8.45pm), no show Mondays

Tickets: $27 Full | $22 Conc

Bookings: http://www.comedyfestival.com.au/2015/season/shows/aunty-donna