Tag: Tyran Parke

Pursued By Bear Presents ORDINARY DAYS

Authentic and accessible

By Joana Simmons

Presented as the second part of a unique double bill, Ordinary Days is a slick contemporary chamber musical with heart. Bought to us by independent performance and production hire company, Pursued By Bear, this 90-minute show accomplishes their vision of telling great stories and challenging the theatre industry. The stories of four characters going about their days in New York weave into our hearts and each other’s lives through the delightful music and lyrics by Adam Gwon. It is a relatable, believable and thoroughly enjoyable show about growing up and enjoying the view.

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Chapel off Chapel is humming as the almost full house takes their seats. The white tulle suspended from the ceiling provides the perfect canvas for the colourful chirpy showtune opening sung by the ever-optimistic Warren (Joel Granger). We meet Deb (Nicola Bowman), a graduate who is feeling the standard Gen-Y dissatisfaction with life: wanting to achieve great things and reach that big picture but not quite knowing how. She loses her most precious possession – the notes to her graduate thesis, and this is the catalyst for a chain of events that turn the ordinary days of four New Yorkers into something extraordinary. Jason (Matthew Hamilton) moves in with his love Claire (Brittanie Shipway) and we see their excitement and tension build as a couple, as things from the past are revealed and their bond unravels. Through powerful songs and vignettes, these multiple stories become intricately connected and the audience becomes heavily invested.

The cast carries their individual stories and works together with accuracy and professionalism. Granger’s endearingly geeky portrayal of Warren is authentic and strong. Hamilton brings maturity to his role as Jason, however his accent and pitch took some time to settle and some movement felt forced, although once on the mark he was a treat. The female cast in their own respects stole the show for me though: Shipway’s singing and natural emotion, especially in “Gotta Get Out” were heart-melting highlights, and Bowman had the audience in stitches with her fantastic comic timing, smooth delivery and subtle yet hilarious physicality. Director Tyran Parke has done an outstanding job bringing such creative and dramatic gems out of these four talented people. Special commendation goes to musical director Stephanie Lewendon-Lowe as this show is basically entirely sung through; the storytelling and diction combined with great dynamic delivery of the songs was top-notch and she supported it all on piano the whole time. The lighting by Jason Crick bought life and drama to the relatively blank set, and whilst there were some minor sound issues on the night I attended, the technical team did a good job.

My favourite part was the end: there was some truly magical goosebump moments throughout, but the ending left me feeling beautifully warm (which was a relief considering the Melbourne temperature.) Whilst the storyline of Ordinary Days isn’t anything too groundbreaking, the music and characters pull us in and help us to see and appreciate the little things, which is so important, especially now.  Escape the cold and get swept up in finding the extraordinary in the ordinary.

Ordinary Days (part of double bill, Chump Days) at Chapel Off Chapel

8-18 June 
Time: 8pm Thursday-Saturday, 5pm Sunday
Tickets: $35 Preview (Thursday 8 June), $49 Adult, $39 Concession (+transaction fee)

http://chapeloffchapel.com.au/melbourne-comedy-theatre-art/melbourne-events/melbourne-theatre/ordinary-days-8-18-june/

Image by Ben Fon

Review: ASSASSINS at fortyfivedownstairs

Musicals can be deadly…

By Bradley Storer

‘Everybody’s got the right to their dreams!’ With these deceivingly sunny words we are drawn into the grim world of Stephen Sondheim’s Assassins, a dark twisted carnival in which the murderers of history exist in a fantastical purgatory.

Assassins

The sinister message of the show is that these are the natural by-product of the American Dream – the malevolent reflections of the frustrated search for happiness, looking for fulfilment in the only way left.

Mark Dickinson as John Wilkes Booth brings a sonorous baritone and combination of Southern and Satanic charm to the role, quietly commanding every scene he enters.  Nadine Garner is pitch perfect as Sarah Jane Moore, one of the two ladies who attempted to kill Gerald Ford, and her scenes with Sonya Suares as Lynette Fromme are a comic delight. The rest of the cast deliver solid, if not outstanding, performances. Nick Simpson-Deeks as the strolling Balladeer unleashes a strong mellifluous tenor in his songs, but lacks the charisma that a character embodying the American Dream, in my opinion, should have – whether this is accidental or a directorial decision to demonstrate the hollowness of this concept is open to debate.  Simpson-Deeks does a far better job as the dual role of Lee Harvey Oswald, which makes it disappointing this character only has the chance to appear in one scene.

Director Tyran Parke is to be commended for his direction of the show, and his vision shines through strongly in the assassins’ individual songs and scenes – but in the big group scenes which bookend the show I felt the staging was static and a little awkward, in particular the scene in which the assassins en masse turn against the Balladeer lacked the menace and danger of mob mentality that I was looking for. I felt this was a problem with the production overall – although Parke and the cast do a fantastic job of humanising the characters and mining the comedic potential of the material, it feels as though ultimately it lacks the edge necessary to make the show truly exciting.

DATES: 10 – 21 April 2013

VENUE: Fortyfivedownstairs, 45 Flinders Lane, Melbourne

TIMES:    Tuesday to Saturday 7.30pm, Sunday 5pm, Wednesday matinee 1.30pm

ADMISSION: Gala opening night $49, Full $39, Concession $29, Group 8+ $35, Preview $25

BOOKING: 03 9662 9966, www.fortyfivedownstairs.com