Tag: The Production Company

The Production Company Presents CURTAINS

 Marvelous music and joyously good fun

By Bradley Storer

The madcap trials and tribulations of a Broadway-bound musical falling apart at the seams, a classic ‘whodunnit’ murder-mystery, a romantic comedy as well as a tribute to all people with passion for the theatre, all bound together by the final score devised by the legendary team of Kander and Ebb – who could ask for anything more in a show?

Curtains

Simon Gleeson in the role of Lt. Frank Cioffi – lead investigator of the aforementioned murder – is a revelation, his leading man charisma channeled into a role that would be the comedic sidekick in any other piece but here is the focal point of this ode to the theatre world and its people. His comedic timing is exceedingly precise and his rendition of the wistful ‘Coffee Shop Nights’ is absolutely mesmerizing, his rich resonant voice peeking through at a few artfully chosen moments.

The rest of the cast work wonderfully as an ensemble but a mixed bag in terms of individual success. Melissa Langton as the brassy producer of the show nails her character’s bitter (and hilarious) one-liners, but her big number ‘It’s a Business’ falls slightly flat despite her magnificent belt. Alex Rathgeber finds the heartfelt sincerity in his caddish composer, and his touching ballad ‘I Miss the Music’ is a highlight of the show – Lucy Maunder is radiant as his estranged lyricist/wife. Alinta Chidzey sang beautifully as the ingénue Niki Harris but tended to vanish in a role that seems bland and underwritten.

Colin Lane was slightly off-kilter at first as the British director of the show within the show, his accent seeming a little wobbly, but found his feet with pithy non-sequiturs punctuated throughout the evening. Nicki Wendt as the woefully untalented diva whose demise launches the plot delivers a performance of such scene-stealing awfulness that it feels slightly disappointing (in the best possible way) to see her for only the first five minutes of the show.

The ensemble had clearly worked hard at creating individuated background characters, devising moments of sneaky comedy for those looking hard enough, and danced brilliantly in all their numbers, with the orchestra under musical director John Foreman giving the glorious Kander and Ebb score the magnificent treatment it deserved at all times.

Balancing an incredibly tricky mixture of narrative tones, The Production Company delivers this Australian professional premiere with panache, this tribute to the ‘theatre people’ of the world as a whole shining with warm-hearted joy.

Venue: The State Theatre, The Arts Centre, 100 St Kilda Rd, Melbourne.

Date: 20th August – 28th August

Times: 7:30pm Wednesday – Saturday, Matinees 1pm Wed/2pm Saturday/3pm Sunday

Prices: $42 – $130

Bookings: www.artscentremelbourne.com.au , 1300 182 183, or at the box office.

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REVIEW: Twisted Broadway 2015

“Broadway in a Brand-New Key”

By Bradley Storer

Oz Showbiz Cares/Equity Fights AIDS brought together a stunning ensemble of Australian music-theatre talents last night for Twisted Broadway, a gender-bending re-interpretation of musical theatre’s greatest hits, to raise money for research and developmental programs for people living with HIV/AIDS. The sense of community and giving was palpable, all the performers and creative team donating their time and energy – even the set for the show was donated by The Production Company‘s current show Nice Work if You Can Get It.

2015 Twisted Broadway Hosts_Photo by Kayzar Bhathawalla

Kate Ceberano, one of the evening’s hosts, began the show as a literal MC – the classic character from Kander and Ebb’s Cabaret, spiritedly singing ‘Wilkommen’ and showing some impressive high kicks as she introduced us to the ‘twisted’ male and female ensembles and the Twisted Broadway orchestra, under the direction of James Simpson. She was followed by the glorious tenors of Blake Bowden and Josh Piterman, both bringing lead man charisma to the Jekyll and Hyde duet ‘In His Eyes’, before fellow host Eddie Perfect joined Ceberano onstage to introduce the evening officially.

The first half of the show was dedicated mainly to ensemble numbers, highlights including a cheeky ‘Gee Officer Krupke’ by the female ensemble of West Side Story, a campy male version of ‘Make Him Mine’ by Ed Grey, Alex Given and Drew Weston, a bevy of showgirls accompanying Melissa Langton as she charmingly crooned ‘All I Care About is Love’, a trio of male Lion King ensemblists bringing Motown realness in ‘Little Shop of Horrors’ all the way to Nathan Pinnell leading the ensemble of Anything Goes in a joyous ‘I’ve Got Rhythm’. A few choice solo performances were dotted throughout, Akina Edmonds‘ soulful take on the Schwartz classic ‘Lost in the Wilderness’ standing out in particular.

After a fantastic ensemble opening of ‘On Broadway’ choreographed by Michael Ralph, the second act brought spectacular solos from a variety of performers. Rob Mills hilariously sent himself up in a re-vamped version of the audition sequence ‘Climbing Uphill’ from The Last Five Years, Tom Sharah stole the show with his ‘Don’t Rain on my Parade’, and Queenie van de Zandt brought the audience to their feet in a roof-raising ‘What Kind of a Fool Am I?’. Perfect debuted a charming song from his unseen musical version of the classic Australian film Muriel’s Wedding with help from Casey Bennetto, and the male ensemble delivered a testosterone-charged ‘Be Italian’ led by Mike Snell before Josie Lane closed the evening with a thunderous ‘Goodbye’.

Producers Michael Benge and Kate MacDonald informed the audience at the end of the show that over $50,000 had been raised for Oz Show Business Cares/Equity Fights AIDS, making a perfect end to this marvellous night of music theatre all done in the name of a good cause.

Venue: State Theatre, Arts Centre, 100 St Kilda, Melbourne.
Date: 17th August, 2015
Time: 8pm

http://www.twistedbroadway.com.au/

Image by Kayzar Bhathawalla

REVIEW: The Production Company’s WEST SIDE STORY

Simply impeccable

By Narelle Wood

There were two things: the fact that The Production Company was responsible; and the recreation of Jerome Robbins’ original choreography by Michael Ralph. It did not disappoint, in fact with this production of West Side Story, The Production Company has set a new bar for itself and for theatre in Melbourne.

West Side Story

The storyline is a mostly faithful reinvention of the Shakespeare classic Romeo and Juliet, set on the streets of New York’s Upper West Side. Two gangs, the Jets and the Sharks are engaged in a turf war, more to do with cultural prejudices and nothing better to do, than an actual place to hang. Of course when Tony (Gareth Keegan), a boy from the Jets, and Maria (Anna O’Byrne), a girl from the Sharks, meet, dance and fall in love, the cultural tensions go from casual street rumblings, to choosing weapons at a war council. And, as per the original, tragedy ensues, but not before some of the most spectacular renditions of some of Broadway’s most iconic songs.

Byrne’s voice is incredible and had the potential to overpower the rest of the cast. However, under the direction of Gale Edwards, it perfectly complimented all the other voices, especially Keegan’s and Deone Zanotto (Anita). Byrne and Keegan seemed to fit so naturally together that I found myself genuinely hoping things would somehow work out; something that I’ve not experienced before in any production of West Side Story or Romeo and Juliet. The whole cast was brilliant, but Zanotto was spectacular in absolutely everything she did.

Sets and costumes were exactly as I expected from The Production Company: simple, effective and impressive. In fact, what made this production so remarkable was how flawlessly everything came together. It was a highlight for me to hear the music to West Side Story played live, at speed and with every nuance. But the star of the show was the choreography. It was truly a privilege to watch how Ralph and the cast were able to recreate the original choreography and make it their own. I would have happily sat and watched them dance every number over and over again.

I don’t think I will ever risk seeing this musical again. The Production Company’s West Side Story is perfection.

Venue: The Arts Centre
Season: Until 19th July
Tickets: Tickets between $21 – $126
Bookings: www.artscentremelbourne.com.au/whats-on/musicals/west-side-story