Tag: Simon Corfield

Malthouse Theatre Presents THE HOMOSEXUALS

Gleefully funny

By Leeor Adar

How dare we, or you, or anyone, be politically incorrect (PC is very in, in case you weren’t paying attention). Lee Lewis’ romp as director into taboo territory is loud, colourful, slapstick, and rainbow-shoots dance hits of the bygones. This production of The Homosexuals is everything you would expect it to be, and then a little more sardonic.

The Homosexuals.jpg

And it is funny. The shining light of this show isn’t the performers so much as their sharp dialogue catapulted from Declan Greene’s pen. I can see the delivery only sharpening as the season goes on, and like Greene’s usual work, is so right now. Right now, and reflected in the play is the war between white homosexual men and other sexual and racial minorities that continue to be marginalised by cookie-cutter ideals. It rages in this production, and offers a farcical gaze upon the pompous rhetoric of queer theorist ‘Bae-Bae’ (played with natural grace and disdain by the genderqueer Mama Alto).

The play is set in a tiny modern apartment in Darlinghurst where Warren (Simon Bourke), the identified ‘older gay gentleman’ looks through his lens at the young and chiselled Adonis (Lincoln Younes). Clichés aside, Warren attempts to hide his interest in the Adonis from his shrieky partner, Kim (Simon Corfield). Cue the realisation that married paradise does not exist even for the queer community. What is meant to be the night of the Mardi-Gras and offensive costume party (hint: blackface/Hiroshimaface/Naziface), turns into a comedy of near-misses as a druggie and part-time cook (Mama Alto) is mistaken for the gloriously self-righteous ‘Bae Bae’. A series of mad antics ensue in what is sure to be a night of laughs.

A real shout-out must go to the top-notch comic delivery of Diana (Genevieve Lemon), who propelled the silliness on stage and brought a sage moment towards the close of the fare. Unfortunately this is where the script diverts too sharply from the rest of the play; the tone suddenly shifts to a serious place that doesn’t have the same wondrous reality-shatter of other works that manage to take comedy to dark places. The point is already made in the piece itself – the audience knows. The show ultimately ends with a whimper, no bang in sight. I found this a touch disappointing given all the walls shattered earlier in the evening.

However, if you want to catch a show that pokes fun at itself and definitely makes you laugh – then by all means, enter the rainbow world of The Homosexuals, or ‘Faggots’, currently showing at the Malthouse Theatre until Sunday 12 March.

Book your tickets here: https://tickets.malthousetheatre.com.au/booking/production/syos/3205

Image by Brett Boardman

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Vass Productions Presents BAD JEWS

Full of Chutzpah

By Deborah Langley

On its return season to Melbourne, I recently had the pleasure of attending opening night of the Vass Theatre Group‘s production of Bad Jews by Joshua Harmon. This relatively new play has been a smash hit in London’s West End, New York’s Broadway and indeed across America, both selling out and extending much like the product here in Australia.

Bad Jews.jpg

The play may be new, but it draws on very traditional theatrical methodology, throwing together some eccentric and memorable characters in a high-pressured situation in order to present some deeply-felt and complex ideas about religion and cultural heritage.

A beloved grandfather has died and three cousins (and one girlfriend) are spending the night after the funeral together in a cramped Manhattan apartment to sit ‘shiva’ with the family the next day. Close quarters, family dynamics and interesting personality clashes brings up viciously hilarious quarrels about family, faith and the legacy of the tribe as a treasured family heirloom with religious significance is up for grabs.

But who has rights to Grandfather’s prizes procession? The bossy, overbearing and fanatically religious Daphna – performed by Maria Angelico who delivers with all the annoyingly loud speed of thought that traditionally characterises New York Jews. Her wealthy cousin Liam (Simon Corfield) and girlfriend Melody (Anna Burgess) who really want to be the voice of reason but don’t stand a chance with the crazy energy of Daphna? Or Jonah (Matt Whitty) who doesn’t want to get involved?

This incredibly talented cast bring the characters to life with all the complexities that they require. Burgess’s operatic solo of Summertime has to be a standout comedy moment for me but all performers encapsulate their characters perfectly. Although I do wonder if some of the Jewish nuances were missing, as the work sometimes felt very tense, and perhaps some of the comedy was lost without these very subtle cultural timings.

Overall this is a brilliant production that crosses cultural lines, with so many similarities to be drawn between Jewish families and any close-knit clan. So if you can get past the very specific Jewish references (most of which are eventually explained) make sure you check it out before this well-deserved second season is over!

 Dates: 27 April – 14 May

 Times: Tue-Sat 8:00pm, Matinees: Sat 3:00pm, Sunday 1 May and Sunday 8 May 5:00pm

Venue: Alex Theatre, St Kilda

Bookings: http://premier.ticketek.com.au/shows/show.aspx?sh=BADJEWS16

REVIEW: Critical Stages and Shane Anthony Present SONGS FOR THE FALLEN

A witty and sumptuous tragedy

By Bradley Storer

Marie Duplessis, 19th-century French courtesan, socialite, literary muse and all-round party girl who died just after her 23rd birthday and whose life inspired artists from Alexandre Dumas, Giuseppe Verdi all the way to Baz Luhrmann, returns from the grave for one last party at the Fairfax Studio – and this one is going to be a killer!

Songs for the Fallen

Songs for the Fallen is a fabulous melange of tragic musical, bawdy cabaret and pumping pop opera, the writing of Sheridan Harbridge and music by Basil Hogios finding a pulsating and contemporary vitality, appropriate for this story of the original ‘material girl’! The set by Michael Hankin recalls the decaying remains of a 19th-century French apartment but easily transforms into a drug-crazed disco or demented vaudevillian circus upon demand.

Harbridge in the role of Marie Duplessis is a dynamo, a slender and fragile figure with a huge voice encased in fabulous corsets and garters who claims centre stage, shamelessly courts and molests the audience from the get-go and whose boundless charisma never lets up. She is aided by two versatile fellow performers, Simon Corfield and Ashley Hawkes, who assume the roles of various characters as we are taken on a burlesque and irreverent retelling of Marie’s rags-to-riches-and-back-again story. The three work so seamlessly and effortlessly together that they produce the energy and character of an ensemble of ten! Hogios’ score wonderfully and tunefully captures the seductively lush materialism of Marie’s existence in thumping dance beats, as well as her despair at its fragility and lack of inner purpose in gorgeous pop ballads.

It is a credit to the show that even as it pokes fun at any pretence of seriousness or accuracy to the historical context, a beating and wounded heart lurks beneath the surface. Songs for the Fallen captures, better perhaps than any other derivative depiction of Duplessis, the tragic dimension of this complex woman who clawed her way up from the gutter, living in brief splendour only to be consumed by incurable illness that left her alone, wretched and friendless before her death. Refusing to draw a moral or produce judgement, Songs for the Fallen heart-breakingly communicates the senseless and unjust cruelties of the world at the same time it embraces the joy and immaculate pleasure of simply being alive.

Time: 8pm
Date: 29th September – 3rd October
Venue: Fairfax Studio, The Arts Centre, 100 St Kilda Rd.
Tickets: Adult $49, Under 30’s $30
Bookings: www.artscentremelbourne.com.au, 1300 182 183, at the box office.

REVIEW: Joshua Harmon’s BAD JEWS

Strong performances and serious laughs

By Myron My

Already a hit on Broadway and the West End, Joshua Harmon’s Bad Jews has crossed continents for its Australian premiere. The “bad Jews” here are three family members, siblings Jonah and Liam, and their cousin Diana (who prefers to be called by her Hebrew name Daphna) who have come together for the funeral of their grandfather. Over the course of the evening, their relationships, cultural identity, class and life are all explored, often with hilarious results.

Bad Jews Photo_Credit Jeff Busby

Daphna (Maria Angelico) is not concerned with any form of financial gain from her late grandfather, and all she requests from her cousins (Simon Corfield and Matt Whitty) is her grandfather’s “chai”, a gold ring that represents his soul and that he had since he was a child. While this “simple” request soon creates much tension for the three, it creates an equal amount of laughs for us.

Director Gary Abrahams’ exhaustive casting search has more than paid off with the actors he has chosen. Angelico is definitely a find as Daphna, who, despite playing a character that can be abrupt and hostile towards anyone “different”, still manages to show the vulnerability that is hiding under Daphna’s strong cultural and religious ideals. However, it is Corfield as the arrogant and self-entitled Liam who remains the star of Bad Jews. The antithesis of Daphna, he is not a follower of the faith and nor does he have the strong connection to family that his cousin does. Corfield does such a phenomenal job with his portrayal that I actually hated seeing his character on stage and really wished he would shut his mouth every time he spoke. Everything about Liam; the way he speaks, the way he stands, the way he moves, is all powerfully convincing as a privileged, upper-class white man.

Anna Burgess as Liam’s girlfriend, Melody, brings an innocence to the show and some brilliant comic relief, with one memorable scene in particular being a highlight of Bad Jews. It’s perhaps because of these three strong characters that Whitty’s Jonah unfortunately left little impression as scenes involving the character usually had him doing nothing more than standing around with an exasperated look on his face. I’ve seen Whitty perform before and he is assuredly a good actor but unfortunately the character needed to have a stronger presence if he was going to compete against the likes of Daphna, Liam and Melody.

Despite the one-act play taking place entirely in a studio apartment, Abrahams ensures that the pacing never drags or falters. His use of the space and a mixture of verbal as well as physical comedy ensures our attention is always on the stage.

Ultimately none of the characters are actually very nice people and we are left wondering who exactly is the “bad” Jew and who is the rightful heir to the “chai”. Even with a few ‘rants’ that went on for too long, Harmon’s script is a clever and well-observed character study on what makes us ‘us’, and with the talented group of actors on board, this is a production that makes for an enjoyable and entertaining night out.

Venue: Alex Theatre, 135 Fitzroy St, St Kilda
Season: Extended until 19 September | Tues-Sat 8.00pm, Sat 2pm, Sun 3pm
Tickets: Between $40 – $55
Bookings:  Alex Theatre

Image by Jeff Busby