Tag: Simon Burke

MTC Presents NOISES OFF

Superb production of an hilarious classic

By Myron My

It’s been 34 years since playwright Michael Frayn penned his farcical comedy Noises Off and I have patiently waited decades to see this production on the stage. As part of its 2017 season, Melbourne Theatre Company has fulfilled my wish and the production does not disappoint with this wild and witty play-within-a-play.

Noises Off.jpg

While this is a fast-paced farce, one of the strengths of Frayn’s script is that we are still provided with time to get to know the characters and understand the relationships between them all. Once these are established, the laughs begin to build until the absurd and ridiculous circumstances the cast get themselves into hit peak hilarity. The second act where we are privy to the goings on behind the scenes offers the most entertaining moments of the show, as the actors struggle to separate the drama of their personal lives with the drama happening on stage.

The hugely talented ensemble of this production deliver superb performances and there is an energetic chemistry between them all. Ray Chong Nee as the pompous Gary has brilliant timing and literally throws himself into his character. As one of the more “straight” characters, Nicki Wendt as Belinda still captures our attention in all her scenes. Louise Siversen as Dotty is sensational and fully embraces the wackiness of both characters she plays.

Meanwhile, Libby Munro as Brooke is delightful to watch as the actor who will not go off script no matter what, as is Hugh Parker as the sensitive but consummate thespian Freddie. Steven Tandy as Selsdon is great comedy relief as he exasperates the cast with his tendency for drinking on the job.

Simon Burke as Lloyd the director of sex farce Nothing On – the play-within-a-play – finds a serenity and calm in the character who yet simultaneously speaks through gritted teeth to his frustratingly inept cast. James Saunders and Emily Goddard as stage managers Tim and Poppy bring some hilarious moments as they try to keep everything on track despite the mishaps along the way.

Sam Strong’s attentive and considerate direction in the real world ensures that despite all the relationships being portrayed (in Noises Off and Nothing On), we never feel overwhelmed or confused by what we are seeing. While there are moments that seem to stretch themselves for laughs, such as the axe-fight scene and watching each actor constantly sneak across backstage to avoid being spotted by the audience, he manages to keep those laughs consistent and plentiful.

Set designer Richard Roberts has done a truly marvelous job in creating the two-storey interior of the Brents’ house as well as the backstage area. The detailing in both, particularly the backstage area, is well thought-out and the rotating stage is highly impressive and used effectively.

While Nothing On is an absolute shambles of a show (but one I would still like to see), Noises Off is a slick production of the (in)famous play with a cast and creative team that has clearly put in much effort and thought into its creation. Melbourne Theatre Company presents a guaranteed crowd-pleaser with this, and rightfully so.

Venue: Arts Centre Melbourne, 100 St Kilda Road, Melbourne, 3004 
Season: Until 12 August | Mon – Tues 6.30pm, Wed 1pm, Wed-Fri 8pm, Sat 4pm and 8.30pm 
Tickets: $39 – 99
Bookings: Melbourne Theatre Company

Image by Stephen Henry

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REVIEW: The Production Company’s LA CAGE AUX FOLLES

A little more mascara

By Ross Larkin

La Cage Au Folles began as a play in the 70’s by Jean Poiret until it was later remodelled into a musical by Jerry Herman. In 1996, Hollywood created the well-known film version, renaming it The Birdcage. Melbourne’s The Production Company last night opened their version of the musical at The Arts Centre, with Todd McKenney and Simon Burke as gay lovers Albin and Georges and a familiar supporting cast including Rhonda Burchmore, Gary Sweet and Marg Downey.

La Cage Au Folles - Todd McKenney and Les Cagelles

When Georges’ son Jean-Michel (Robert Tripolino) announces his engagement to Anne (Emily Milledge), matters accelerate to hysterical at the prospect of his fiance’s highly conservative and political parents (Sweet and Downey) coming over to meet Jean-Michel’s family.

Decidedly flamboyant transvestite Albin is deemed by Jean-Michel too risky and controversial to meet Anne’s parents and is advised to make himself scarce for the evening. When Jean-Michel’s birth mother fails to show, Albin steps in in all his convincing drag glory under the pretence of being mother himself, and hilarity ensues.

As with any famous and celebrated show, there are unavoidable audience expectations. In the case of La Cage Au Folles, it is safe to assume that giant laughs, flashy songs, spectacular dancing and tremendous energy are all somewhat anticipated.

Regretfully, The Production Company only gently hit the mark, waxing and waning in pace and stamina. The occasional musical number is quite impressive while too many others are underwhelming and forgettable.

The two leads are undoubtedly well performed, with McKenney in particular delivering much of the needed laughs and glamour, and Aljin Abella as the butler a consistent source of humour and force.

However, director Dean Bryant’s decision to merge La Cage Au Folles into pantomime territory with actors speaking to and interacting with the audience for extended periods (presumably to cover costume changes) was an ill-fated one, breaking from the struggling momentum even further.

Sweet as Anne’s father might have looked the part but was typically miscast, yelling every line with farcical irritation and further contributing to the pantomime domain. Downey and Burchmore were reliably enjoyable but sadly appeared all too briefly.

Essentially, Bryant and The Production Company have found most of the ingredients necessary to make La Cage Au Folles the dazzling spectacle it deserves to be, however, its current state feels underbaked, in need of increased pace, energy, stakes and more bold choreography.

La Cage Au Folles is playing at The Arts Centre Playhouse, Melbourne, until December 7, Wednesday-Sunday at 7.30pm and Tuesday December 2 at 7.30pm, with 2pm matinees each Wednesday, Saturday and Sunday. Bookings 1300 182 183 or visit www.artscentremelbourne.com.au

Starry Nights: ADELAIDE CABARET FESTIVAL June 2011

The countdown is over as internationally-acclaimed cabaret blasts off in Adelaide!

Adelaide Cabaret Festival opens this week, as their fabulous iconic Amazonian queen of cabaret stands surrounded by stars and toasting the conquering of new worlds and the triumph of cabaret reaching universal audiences.

Although Adelaide Cabaret Festival has continued to make a place for itself at an international level, and to attract an exciting calibre of overseas artists, it is Australia’s own Olivia Newton-John is the headliner for this year’s program.

Another towering superwoman in the entertainment industry, Newton-John is offering a musical retrospective of her fabulous career, accompanied by the Adelaide Arts Orchestra.

Cabaret and music theatre fans will be perhaps even more thrilled to hear New York-cabaret king Michael Feinstein will be closing this year’s festival with the Australian premiere of the show created from his famous Sinatra project.

In addition, the legendary Chita Rivera will be here on our shores to share some glorious music and moments from her illustrious life on Broadway.

But perhaps the most exciting performances to watch out for are our own upcoming and established local talent.  

Rhonda Burchmore, Simon Burke and Rachel Beck for example, are providing some entertaining showcases in music theatre and jazz.

But for the most innovative, edgy and enticing examples of what Australia is so uniquely exploring with the cabaret genre, don’t miss checking out the devasting talent of Paul Capsis, the sumptuous voice of Ali McGregor, and the sophisticated work of Robyn Archer for starters.

Adelaide Cabaret Festival runs from June 10-25 2011, and you can read about the stars, and book for all these shows and more on their website.