Tag: sex

REVIEW: The Owl and the Cat Presents RIOT!

Enthralling and confronting

By Christine Young

Riot! by Thomas Ian Doyle is a brave and bold new play offering a fly-on-the-wall’s peek into 32-year old Jim’s disillusioned existence. Jim (Johnathan Peck) is having an existential crisis whose cause is unknown until near the end of the play. It won’t be revealed in this review but this bombshell is a sudden awakening to Jim’s state of despair. Even so, the revelation doesn’t absolve Jim of responsibility for his trail of chaos.


Peck portrays the disaffected Jim capably with close attention to the character’s physical and mental ups and downs. At the start, Johnathan seemed to have some opening night jitters but soon relaxed and grew more at ease as the play went on. In a small space, such as The Owl and Cat Theatre, the audience can see and hear every detail. This is a challenge to which the cast rises overall. For me, Gareth Trew as Gavin gave the best performance of the night. Riot! is typically naturalistic theatre and Trew understands the nuances of performing in a play depicting gritty realism.

The intimate theatre seats 32 people and the performance takes place on a stage that is around the size of a two-bedroom flat’s loungeroom. Action alternates between Jim’s flat; a café; his ex-partner’s house; and his manager’s office at Burger Palace. Scene and set changes are simple and effective. The play is so captivating that the transition between these locations is not too noticeable. It’s also because the theatre company and director Gabrielle Savrone make good use of the available space with only minor prop changes between scenes.

The other main effect of being in this small space is that the audience is directly sticky-beaking into Jim’s private life. And the sex scenes occur right at the front of the stage. This reviewer was seated in the last row so there was enough distance not to be completely taken aback. If you’re particularly uncomfortable with nudity and sex scenes, this is not the play for you. The sex isn’t out of place or frequent but you need to know what you’re in for. Likewise, you may not like this play if you’re homophobic but maybe that’s all the more reason to see it.

Venue: The Owl and Cat Theatre, 34 Swan St, Richmond
Date: Until 14 June, 2015
Time: Mon-Sat, 7pm and Sat 2pm
Tickets: $25/$20/$15
Booking: www.owlandcat.com.au/

WARNING: Contains adult content, nudity, sex scenes and drug references.

REVIEW: The Butterfly Club Presents THE LATE NIGHT SEXY SHOW

Charmingly cheeky

By Narelle Wood

It was really hard to convince people to come with me to see a show called The Late Night Sexy Show scheduled at 10.30pm on a Thursday night; and I also admittedly was a little apprehensive about what exactly I’d gotten myself into. But any trepidation disappeared in the first few minutes with the assurance that The Late Night Sexy Show would be exactly that – a late-night and sexy show.

Grant Busé performs a collection of original songs, and a medley of some more well-known numbers that concentrate on the derrière region, to explore not only the idea of sex but also sexual attraction, lust and a number of other topics that would be considered taboo in more conservative company.

Late Night Sexy Show

Given the potentially offensive or awkward nature of the content, Busé puts the audience at ease with some friendly and surprisingly non-confrontational audience participation early on, that paves the way for some ‘interesting’ conversations later in the show. One of the most entertaining aspects of the show was Busé’s interaction with the audience and the way he was able to deal with and integrate the random tendencies of some of the audience members.

While the material is obviously exceptionally well-written (I’m assuming there would be a high cringe factor if it wasn’t), it is complimented by Busé’s musical and dancing talent, and the ease with which he performs. It is really hard to pick a favourite part of the show as all of it was simply great: Busé is exceptionally talented and I’d go see it again.

Part-musical, part-comedy, part-strip show and political satire, this is a highly entertaining performance that demonstrates taboo subjects can be humorous without being distasteful. If you can handle a late night out on a school night and the word ‘sex’ doesn’t make you blush, this is a must-see show.

Venue: The Butterfly Club, Carson Place, Melbourne
Season: 10.30pm Every Thursday in May
Tickets: $23 Full | $20 Conc
Bookings: www.thebutterflyclub.com/show/the-late-night-sexy-show

Review: NELLIE WHITE’S ONE-HANDED SHOW – An Introduction to Pornography..

Gird your loins and come for the comedy

By Vikki Doig

Sex, vagina, penis, pubes, ball slappage – doesn’t it just feel better to say these things out loud? And that’s exactly what Nellie White’s One-Handed Show: An Introduction to Pornography for the Melbourne International Comedy Festival seeks to do.

Nellie White

I haven’t always enjoyed porn. As a young innocent I felt particularly uncomfortable at the sights and sounds of people’s carnal bliss. However, as I grew older and wiser in my sexual journey, it became comforting to see people try new things (sometimes things that seemed logistically impossible!) but, more importantly, sex became less scary – even funny! So how could I pass up the opportunity to see a fellow pornophile throw social niceties out the window and talk about sex, baby?

Nellie’s One-Handed Show is certainly not for the faint-hearted. There was a clear feeling of trepidation amongst the crowd upon entering the cosy performance space. The first thing I noticed was the distinct lack of people sitting in the front row – as if that’s a surefire way to avoid being called upon in a 24-seat venue. The fear of audience-participation becomes heightened when sexy-talk is involved…

Nellie had an unassuming innocence on stage which immediately endeared her to us and it was refreshing to be slapped in the face with her unexpected explicit punchlines, casual description of threesomes, sexual exploits (or sexploits, if you will) and graphic imagery.

There were times, though, when I felt more like I was listening to a friend talk about what they’d been up to on the weekend than watching a comedy show, and what the show lacked was a cohesive flow, a bit of direction and strong delivery to pull it all together. It was unclear whether it was a show designed to shock us, encourage us to discuss our own sexploits, make us feel uncomfortable, educate us (Nellie really does know a lot about the history of porn!) or all or none of the above.

The concept was bold, confronting and interesting and all the elements of a good show were groped, caressed and touched upon, but it didn’t quite come together on the night.

Venue: The Tuxedo Cat

Dates: April 11-21

Time: 9.45pm (Sunday 8.45pm)

Price: $12-18

Bookings: MICF online


British TV star surprises on stage

By Christine Moffat

UK comedienne Jenny Éclair is not everyone’s cup of tea.  That’s mainly because everyone’s cup of tea isn’t an Earl Grey Jaeger-bomb!  Éclair epitomises that very English, delicious combination of nasty and nice, and possesses the kind of comedy pedigree that practically guarantees an audience a good laugh throughout, and a happy buzz when exiting – and that’s what happened last night.

Jenny Eclair

If you only know her from the television show Grumpy Old Women, you’re in for a surprise, as comediennes need to be a bit tamer on TV then they are on stage.  Most of the material in Eclairious for MICF is a bit too rude to repeat, and definitely too funny to spoil by revealing it in this review.  But as a teaser, Éclair does a little reminiscing (about fellatio and hand jobs), and some great bits about lost youth, menopause and teenage ‘children’.

Unfortunately at times Éclair’s material excluded men and women under 40, as it was phrased in the “am I right girls?” style.  That being said, the show still went from big laughs, to giggles, to big laughs regularly, as Éclair knows how to work an audience.

If you feel like a hilarious chat, albeit a (mainly) one-way and slightly confronting one, get there early and sit up the front.  Don’t be afraid to adjust yourself to get more comfortable, just get it out of the way before she gets going as she “hates fiddlers”.  So have a nice chardonnay or three, and then pop along for a good old laugh.

Dates: April 2-7

Times: Tue-Sat 8.15pm, Sun 7.15pm

Where:  Melb Town Hall – Supper Room, Cnr Swanston & Collins Sts

PRICES: $25 – $36



Ticketmaster 1300 660 013

At the door

Review: KIMBERLEY DARK in Good Fortune

A beguiling future was in store for a raconteur and her audience

By Adam Tonking

Do you remember the pleasure, as a child, of having a story read out loud to you? Kimberley Dark’s Good Fortune instantly transported me back to those long-forgotten days.

Dark is a consummate storyteller but these are not for children. They are stories from her life, that when illuminated through her telling become stories about the world at large: about love, sex, politics, and power.

The show was presented as a kind of tasting platter – 46 stories and poems from Dark’s 15 years of performance, each attached to a quirky little artwork, which became a sort of Tarot deck, with members of the audience choosing. These pieces make up the show, with each show being unique to the audience present.

Dark explains that every audience has its own personality, and this method of framing the show’s concept lent it an air of legitimacy, but also created an air of mutual respect between Dark and the audience.

Telling stories is clearly a gift for the highly-skilled Dark. While she chatted with us amiably in between stories, discussing her history and philosophies, including a few poems as a palate cleanser between stories – the moment she opened her book, she transported the audience into another world, as only a true storyteller can.

 The tone of her voice, from beguiling to conversational, from hypnotic to questing, guides us through her world; but the stories themselves grow to encompass all of us. The material is complex yet comedic, personal yet provocative. Perhaps storytelling of this nature is a lost art, but by the end of Good Fortune I was completely enamoured with Dark and her tales.

Perhaps because of the nature of the audience choosing the material, no one will have the chance to see the same show that I did. But go anyway, and reconnect with those wonderful days of simply being told a good story by someone who knows how to tell it best.

Kimberley Dark’s Good Fortune is on for one more night, Wednesday 30th November at 8pm, at The Butterfly Club in South Melbourne, with tickets available at www.thebutterflyclub.com or at the door.

Or see her show Dykeotomy at Hares and Hyenas Bookstore in Fitzroy, December 1-3. For more information go to www.kimberleydark.com.