Tag: Rachel Perks

Arena Theatre Presents TRAPPER

Captivating for all ages

By Leeor Adar

Arena Theatre has given consistently challenging and engaging works of theatre aimed at their 5 to 25 year-old market since their inception in 1966. The theatre company has constantly kept the issues of interest to youth in the present day in their focus, but what is particularly fantastic about Arena is that the appeal of their work goes beyond the specific age groups for whom they create, appeasing teenagers and their parents alike – or just charming your average theatre-goer.

Trapper.jpg

Their latest creation, Trapper, is a futuristic and visually stunning set created from giant sculptural machines that light up and engage with the performers and their bodies. Designed by co-creator Jolyon James, with sound design and composition by Ania Reynolds and lighting design by Paul Lim (Additive), the stage ebbs and flows with the performers in an extraordinary and exhilarating manner.

From a selection of writings, the performers deliver a series of stories and segments that concern everything from our engagement with technology to the vastness of our capabilities and failings. Under the direction of co-creator of Christian Leavesley, the integration of the ‘trapping’ surrounds integrates so well with the profound topics discussed, and it is the human capacity to continue to exist (despite what we create that can destroy and expand our existence) that forms the underlying theme to Trapper.

Cleverly, the production appeals to its younger audiences as it takes us into the digital everyday life of a teenager – but the wit and whimsy of youth isn’t so far from adult engagement, as we are all reminded of our digital addictions. Once the younger members in the audience are enthralled, the piece continues to ascend to loftier places, with segment by segment asking larger and larger questions, ultimately reaffirming every individual’s place in the chaos of the world around. Thus Trapper artfully touches on an expansive set of topics with humour and poignancy.

Trapper is a thoroughly ambitious project, but Arena and their capable performers (Rachel Perks, Hamish Irvine, Daniel Schlusser and Naomi Rukavina) deliver with total vitality. The season was short, but hopefully this will not be its only one, so when it returns, take along anyone and everyone – Trapper is a journey of delight.

Trapper was performed at the Melbourne Arts Centre from 3-5 August, 2017. For further information about this production and company, visit: http://www.arenatheatre.com.au/

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REVIEW: MTC and Elbow Room Present WE GET IT

Looking for the women in theatre

By Myron My

In We Get It, sexism is no more. Everyone rejoice! We are now truly living in the age of equality. Hoorah! To celebrate, five women are competing for an opportunity to perform with a ‘real’ theatre company in a classic female literary role. They appear on stage gyrating to a medley of “sexy” songs and when the musical number is over, return to the stage brandishing self-identifying beauty pageant sashes. We have the “Token”, the “Ethnic Extra”, the “Funny Bitch”, the “Muslim Doctor” and the “Bogan/Migrant”.

We Get It

These five women (Amy Ingram, Tamiah Bantum, Kasia Kaczmarek, Maurial Spearim and Sonya Suares) explore the ideas of theatre showing diversity through casting and roles and also the question of treating women as equals. Perhaps it’s because I have chosen to associate myself with strong women in my life, and have been conscious of where my white male privilege has taken me and the freedoms it has provided that I felt frustrated watching We Get It. I am aware of what my role is in supporting gender equality and I also believe that message needs to be constantly repeated and spread to as many people as possible, however I struggled to connect in this instance: not because of what was being said, but how it was being said.

I found myself being talked at for much of the show rather than being informed or educated. Furthermore, there were a number of scenes that seemed to go on for that bit too long and could have benefited from an edit. The beginning of the show also seemed clunky and flat, which is a shame as the intention behind it had the potential to make a strong impact and set the tone for the rest of the production.

What I thought was a great inclusion was the use of The Diary Room, which the contestants treated as a type of public private confessional. This device gave the best insight into these women’s lives, where truth and honesty were present in what is expected of them when auditioning for roles and rehearsals.

Considering the five “contestants” collaborated with Marcel Dorney and Rachel Perks in writing this piece and to an extent, based on their personal experiences, it is no surprise just how impressive they all are in their roles, with Bantum’s strong stage presence making her particularly captivating to watch. Directors Dorney and Emily Tomlins have worked very closely and developed a trust with these women to create the opportunity for them to explore the issues they face as actors and women.

Set design by Matt Adey was well-thought out and considering everything that happened on stage, the use of the space and props never had you feeling overwhelmed with what was happening. However, there were a few technical issues the night I attended, particularly with mic and sound levels.

Whilst I completely and utterly agree with the messages being conveyed here, I believe there have been stronger shows put on recently that still have a strong feminist approach but present their ideas in a more accessible way. That said, We Get It, presented as part of the 2015 NEON Festival of Independent Theatre, still created a conversation with the people I attended on the night about the changes that we, as males, can make to support gender equality and that is probably the most important thing for such a production to have achieved.

Venue: Melbourne Theatre Company, 140 Southbank Boulevard, Southbank

Season: Until 19 July | Tues-Sat 7:30pm, Sunday 4:00pm
Tickets: $25 all tickets
Bookings: Melbourne Theatre Company