Reminiscent of a film noir
By Sebastian Purcell
Amore e Morte tells the story of a couples witness to a murder, fleeing their home and seeking refuge in a strange new place. While safe for a time until they are called back to the home land. He testifies while she records his tale as an expose. The musical is performed by the dynamic duo, Nikki Elli Souvertijs and Italian instrumentalist Riccardo Barone.
Barone’s music is complex, beautiful, emotional and soaring in equal parts. Most impressive is the entire 60 minutes performed without sheet music. In addition the performance of the Melodica while playing the piano together was worth viewing in its own right.
Souvertijs soars with a big clear Broadway voice, which is sometimes overwhelming in the smaller venue of the Butterfly Club. The softer notes in the show, resonates more on a dramatic and emotional level, however, overall there are too few of these moments. Because of this I felt as thought the show didn’t provide enough light and shade, especially given the tale it was trying to tell. That been said, Souvertjis clearly demonstrates that she is multi-dimensional conveying the story through both song, costume and minimalist acting that was reminiscent of a film noir.
Throughout the production a type writer is used as prop for Souvertjis’s character to write about the couples trials and tribulations, but it also serves as a wonderful accompaniment to the piano. The timing and use was creative and experimental, and one of the highlights of the show.
The production was smooth, lighting design simple but effective, and the sound was clear, but I did think that it might be too amplified for the venue. This is a no gloss, no glam production, and very befitting a story of love and loss.
Amore e Morte was performed at the Butterfly Club, Melbourne.