Tag: Nichole Melloy

Watch This Presents MERRILY WE ROLL ALONG

Fine performances in a challenging musical

By Bradley Storer

Merrily We Roll Along, currently being presented by Watch This at the MTC, is one of Stephen Sondheim’s most beloved scores but was regarded in its original Broadway incarnation as a critical and commercial flop. Part of this is due to the challenging structure of the show, moving backwards in time to unravel the complexities of the characters depicted, but also since we begin with the central character at his most morally corrupt it can be hard to generate sympathy for him.

WatchThis Productions

As this character, Franklin Shephard, Lyall Brooks faces an uphill battle trying to make him sympathetic. He acts and sings the part very well, but feels stronger as the older Frank more than the younger one. Nelson Gardner is charmingly nerdy and goofy as Charley, bringing wonderful physical comedy to the role. Completing the central trio in the role of Mary is Nicole Melloy, and she is so brilliantly funny and heart-breakingly transparent in every moment that it feels like the role could have been written for her – watching her in the part makes a compelling case that the show’s central journey is actually Mary’s instead of Frank’s.

Sophie Weiss as Beth ably handles the show’s biggest ballad, ‘Not A Day Goes By’, and her character’s transition from a haunted and heart-broken woman to the sunny naivety of youth. As the famous Broadway star Gussie, Cristina D’Agostino nails her big dance number but doesn’t manage to find the humanity under the glamourous façade, directed to play the character so over the top that it comes off a caricature. The ensemble, playing a wide variety of characters across the twenty-year time lapse, are marvellous with too many standout moments to recount here, and their united voices as they sing ‘Our Time’ are a truly beautiful conclusion to the evening.

Sara Grenfell’s direction and staging feels slightly confused which is a problem with a show such as this where there is already a complex structure, and the minimalistic set (consisting mainly of a large staircase and a set of curtains) tends to blur the scenes together. Cameron Thomas does a wonderful job as the sole musician in this production, and while it is lovely to hear the voices of the cast and ensemble unamplified in the space, the score loses much of its potential power when played only on the piano.

While not entirely successful on all fronts, the collection of strong performances and Sondheim’s magnificent score make this new production of Merrily a worthwhile visit.

Venue: The Lawler Studio, Melbourne Theatre Company, 140 Southbank Boulevard, Melbourne VIC

Dates: 29th June – 15th July

Times: Tues – Sat 7:30pm

Prices: $39 – $49

Bookings: 8688 0800, MTC tickets online

Image by Jodie Hutchinson 

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Pursued By Bear Presents FIRST DATE

Crass, cluey, and relentlessly funny

By Amy Planner

That awkward blind date feeling should definitely be avoided at all costs, so when someone decides to dedicate a musical to it, there are bound to be a few uncomfortable and unfortunately relatable moments. Enter First Date: The Musical (book by Austin Winsberg and music and lyrics by Alan Zachary and Michael Weiner) – this is the show dedicated to bringing those dreaded memories back and managing to make you both laugh and cry at them.

First Date.jpg

When slightly nerdy blind date newbie Aaron (Jordan Mahar) is set up with tattoo-toting blind date veteran Casey (Rebecca Hetherington), their obvious differences make for an interesting and incredibly awkward first date. Along for the ride are a number of family members, potential children, ex-lovers and a best mate or two to give their albeit not always helpful advice – in musical form of course.

The Small Timber Café was the setting of this first date disaster, with the audience invited to sit at the café tables and even order coffee from the stage before the show. Cast members lingered around, blending in with baristas and immersing the awaiting audience in this distinctive setting.

There were a few sound issues in the beginning but after some level adjustments and once those opening night nerves were settled, this show had the audience laughing, clapping and even hollering at times.

This small cast were incredibly entertaining from lights up to lights down. Their energy was outstanding as was their enthusiasm for the show bubbling over. Hetherington and Mahar took the lead with their well-characterised vocals, even contriving to sober the boisterous audience with their serious solos.

The five-man ensemble; Nicole Melloy, Danielle O’Malley, Adam Porter, Stephen Valeri and Daniel Cosgrove, were the energetic life force of the show. Each performer had such a unique take on their characters, which made for a hilariously bumpy ride.

Other than those few audio hiccups, this show was pretty seamless. Director Mark Taylor took an Americanised script and made it fit perfectly into an Australian setting and by taking a few ‘lewd’ chances, has put together a genuinely hilarious production.

First Date’s musical score is very modern and unexpected but has indisputable flow and vigour, and no successful musical would be complete without a great Musical Director – and Stephanie Lewendon-Lowe was just that. Her artistic verve manifested in equally witty tunes and great musical moments. The band had nowhere to hide, set upstage in full view of the audience, disguised as café patrons and a chef hat-totting drummer behind the pass.

Sarah Tulloch’s production design was satisfyingly realistic and unbelievably innovative. The set dressing was simple but effective and the ease with which backstage crew could be disguised as waiters and move items around was a sneakily brilliant thought.

First Date is comically crude and toe-tappingly upbeat, and it even slips in a few serious moments to make you remember some things are all too real and unavoidable. As someone who has seen the Broadway original, this definitely stacks up and does Melbourne proud.

Venue: Chapel Off Chapel

Season: September 2-11, Mon-Sat 8pm & Sun 5pm

Tickets: $39 Monday only, $49 Full, $39 Concession (+ transaction fee)

Bookings: chapeloffchapel.com.au