Tag: Morgan Wilson

REVIEW: …we should quit for MELBOURNE FRINGE

Office slog needs a lift

By Myron My

In …we should quit two workers stuck in their monotonous daily grind find their routine broken and suddenly find themselves in a sea of chaos.

We Should Quit

The opening moments are promising with the environment being well set up and clearly placing Thomas McDonald as the straight man to Morgan Wilson’s wackiness but I feel like this show never took off.

Describing itself as physical comedy, it was disappointing to find the show lacking in both. It took close to twenty minutes for the first circus trick to happen and this was followed by long gaps between. There are moments when the comedy and clowning works really well, such as the yawning competition but most of it unfortunately misses the mark.

A circus show doesn’t require a strong focus on story but …we should quit really needs to find some sort of structure or end-point as I ended up feeling like I was watching a sketch comedy show on loop. I understand they are showing the repetition that these workers endure but seeing the same act three times, like the button-pushing, can be trying on the audience.

Having seen these artists perform with aplomb earlier this year in NICA’s circus showcase, I was expecting more with this show. McDonald and Wilson are both skillful circus performers yet I don’t feel that they allowed their strengths to shine through. There didn’t seem to be any build-up to any of the acts and the times when things looked promising but ultimately fizzled or didn’t lead anywhere, such as the blackboard scene.

Morgan and Tom have the potential for good comic timing and they play extremely well off each other. They are endearing to the audience and have strong charm and charisma but a one-hour show not much seems to happen apart from seeing two mates goofing about and is a bit much to sit through.

Venue: Gasworks Arts Park, 21 Graham St, Albert Park

Season: Until 05 October | 9:15pm and Saturday 3:30pm

Tickets: $20 /$16 Conc

Bookings: www.gasworks.org.au, 9699 3253 or http://www.melbournefringe.com.au, 9660 9666


A glimpse of the dazzling future of Australian circus

By Myron My

One False Move is a showcase circus performance featuring NICA’s second-year artists in some impressive and intense acts. The show is inspired by film noir and there are a lot of shady characters, deadly women and clever use of various iconic props that help support this genre.

One False Move

The lighting design by Eduard Ingles, the costumes by Emily Barrie and the live music throughout the show (by the performers themselves) all add to that film-noir feel: edgy, dangerous and exciting. What One False Move then does very well is infuse touches of comedy throughout. A perfect example is the use of black screens sliding across the stage, dropping off and picking up performers in their travels where we witness murders and sexual escapades aplenty but with the comic timing adding a strong dose of humour.

As with any circus show there is a risk of failure: an off-the-mark landing, a prop getting a mind of its own or a loss balance. Part of the skill of being a good performer is how you recover from this, and with occasional hiccups occurring all the students remained highly professional and ensured the show kept on going. This embracing of and then triumphing over problems ultimately gets the audience on side, and made the consequent accomplishments even more worthy of cheers.

Another important focus required for circus shows is to retain engagement with the audience. What these guys are doing is not easy but they need to be able to make it look easy and be relaxed with their audience. Chelsea Angell and Ashleigh Tomasini‘s cheeky and flirtatious audience interaction whilst doing their Russian wheel routine was a wonderful example.

I was also very impressed with the pole act by Isabel Rose and Patrick Denison – despite the physical demands of such an performance, they both remained beautifully in the realm of film noir and worked together to create an act that had great sexual tension between the femme fatale and the brooding man. Other notable performers included Morgan Wilson, Angelique Ross, Dylan Rodriguez and Jon Bonaventura who all provided some highly entertaining moments.

NICA’s One False Move has some tremendously talented performers in it and I feel confident the future of the circus industry is more than safe in the powerful hands of these charismatic young people.

Venue: NICA National Circus Centre, 39-59 Green Street, Prahran.

Season: Until 29 June | Wed-Sat 7:30pm, Sat 1:30pm, Thurs 1:00pm

Tickets: $27 Full | $22 Conc

Bookings: http://www.nica.com.au