Tag: Michael Petruccelli

REVIEW: Victorian Opera Presents REMEMBRANCE

How do you choose to remember?

By Deborah Langley

It’s a cold night in Melbourne and I must admit I’m feeling quite nostalgic. It’s been a hard week for me, the week I said goodbye to my grandmother, of funerals and sadness, of tears and regret. So it was with a heavy heart that I went along to the Victorian Opera’s Remembrance at the Arts Centre’s Hamer Hall.

Victorian Opera 2015 - Remembrance © Charlie Kinross

On this the centenary year of the ANZAC landing in Gallipoli, I was ready to remember: to shed a tear for the wasted youth and reminisce of times gone by, of what could have been and what we have lost.

With stories, songs and images we were given an historical and musical account of Australia’s involvement in World War 1. From the time of enlistment in 1914, with diggers leaving us and training in Egypt, through to landing in Gallipoli, the Somme and the Western Front and finally the homecoming of some of our luckier diggers. Remembrance gives a respectful reimagining, complete with authentic wartime ditties, but unfortunately this ultimately did not feel a truly heartfelt tribute.

Written and directed by award-winning Australian author Rodney Hall, and composed and conducted by acclaimed artistic director Richard Mills, Remembrance stars one of Australia’s best-known operatic tenors David Hobson, along with eight of Victorian Opera’s talented young artists.

Elizabeth Lewis is a standout in the ensemble, embodying characters both vocally and physically, while Michael Petruccelli and Nathan Lay give equally memorable performances as diggers throughout the war as the cast create a series of moving musical portraits against the backdrop of archival footage.

Accompanied by an impressive chamber orchestra, Orchestra Victoria, and a large rousing community choir, Remembrance does offer a glimpse into what life might have been like during World War 1: something we should all continue to remember.

Victorian Opera’s Remembrance was performed at Hamer Hall on August 13 2015, before touring:

Ulumbarra Theatre, Bendigo
15 August 2015, 7:00pm

The Cube, Wodonga
31 August 2015, 10:30am & 7:30pm

West Gippsland Arts Centre, Warragul
3 September 2015, 8:00pm

Eastbank Centre, Shepparton
12 September 2015, 7:30pm

http://www.victorianopera.com.au/what-s-on/remembrance/#TabDatesTickets

Advertisements

REVIEW: Victorian Opera Presents THE BIG SING

With voices raised

By Narelle Wood

For one night only Victorian Opera, community choirs from around regional and metropolitan Victoria, VOYCE (Victorian Opera Youth Chorus Ensemble), students from the Master of Music Opera Performance program and Orchestra Victoria came together for the very aptly named The Big Sing.

In the magnificent surrounds of Hamer Hall we were treated to performances of Verdi, Mozart, Bizet, as well as Gilbert and Sullivan and Maestro Mills’ own arrangements of Australian folk songs “Click go the Shears” and “Waltzing Matilda”. The program provided a great variety of musical moods, from the joyful drinking song “Brindisi” from La Traviata to Purcell’s haunting “When I am Laid in Earth” from Dido and Aeneas.

The Big Sing

It was, however, the ethereal performance of “With Drooping Wings” also from Dido and Aeneas and sung by VOYCE that was a highlight, demonstrating the depth of talent that Victorian Opera has to work with.

Michael Petruccelli and Matthew Tng were very entertaining (they seemed to be thoroughly enjoying themselves) and I could have listened to Kate Amos and Cristina Russo sing all night. But for anyone unsure whether opera is for them, nights such as these are a perfect introduction. Selection of music aside, Maestro Mills provides a history and context to the pieces in a passionate, sometimes brutally honest, but always entertaining style.

While in an opera performance the opera singers will always be the stars, listening to, and on this very fortunate occasion watching, Orchestra Victoria is an incredible experience. This time we were treated to some introductions to the various instruments, and personalities, of the orchestra, which added a relaxed and very personable feel to the evening.

I did find the request to join in the singing of “Waltzing Matilda” a little confronting and was a little too self-conscious to join voices with likes of Elizabeth Lewis and Nathan Lay. Hopefully The Big Sing will be back next year as I certainly thought it was a big hit, and who knows – maybe next year I’ll be game enough to sing along.

Victorian Opera’s The Big Sing took place at Hamer Hall on 13th Oct 2014.