Tag: Melbourne comedy

Review: ZULEI KHAN in Triage!

Unlikely hospital comedy an hilarious success

By Meg Richardson

Hospital emergency department. Generally speaking, these three words don’t make you want to laugh, sing or even smile. And nurses? They don’t generally seem overly theatrical. However, this clinical setting is exactly where Zulei Khan feels most at home.

In her one-woman comedy cabaret, Khan, a registered division 1 triage nurse, takes the audience through the day-to-day lives and tribulations of those working in this challenging industry.

Traige! focuses on the emotional journey of Khan’s career. The audience is exposed to her outright honesty about the job that has engulfed her life. She addresses her frustration with self-diagnosing patients, addiction junkies and excessively arrogant doctors the best way she knows how- by belting out some big show tunes.

With a well-balanced mix of original numbers and re-worked classics, Khan’s voice is a joy to listen to. Her delivery of dialogue is, at times, a bit clumsy but somehow, this adds to the personality of the piece.

The intimate setting of The Butterfly Club also allows Khan to interact with the audience with great ease. She is not afraid to talk to them (or ask male members of the audience uncomfortable questions about certain ‘female’ medical instruments!).

The affinity she establishes with the audience very early in the show also allows her to really evoke emotions within them when she expresses some very personal challenges she has faced with a tear-jerking, delicate ballad.

Overall, Zulei Khan gives a laugh-out-loud insight into the only life she has ever known. This knowledge has allowed her to compile a show that is entirely entertaining from beginning to end.

Although she has made a successful career saving people’s lives, I only hope she continues to delight patients and audiences alike – Zulei Khan belongs on the stage.

If only every visit to the emergency room could be so entertaining.

Where: The Butterfly Club

When: Tuesday 19th – Sunday 24th June

Time: 8pm (Tue, Wed, Sun) 9pm (Thu, Fri, Sat)

Tickets: Adult $23, Concession $20, Groups (8 or more) $18

Review: LACHLAN MACLEOD’S A Very Merry Christmas

Get into this christmas comedy quick!

By Melissa Trickey

After having a somewhat scrooge-y day, I was a bit “bah humbug” when I entered The Butterfly Club on Thursday evening…. But the “magic, majesty and hhhhhwhimsy” of Lachlan’s Macleod’s A Very Merry Christmas soon warmed the cockles of my heart to turn my frown upside down and make me Madame President of the Christmas Spirit Club!

Christmas sure smacked me in the face as soon as I walked in the door, with the busiest set I’ve ever seen in that performance space. I had no idea the stage could fit so much! Three musical instruments, a fully decorated Christmas tree, a framed Jesus picture and a curious object that was concealed by some kind of mystery Christmas material…

This turned out to be Lachlan himself, who promptly did what I did not expect at all – sat as his keyboard and played a (seemingly) serious song about Christmas. Next second he totally bazinga’d me with the lyrics: “The doors are locked, I’ve got your cash, so f***you all!” People didn’t seem to mind though – we were all laughing too hard!

There were many lyrical gems like this along the way. Lachlan touched on such topics as re-gifting, office work parties, due rewards from Santa for being a bad little boy, and the evergreen last-minute present shopping. His lyrics are simple, direct and right on the money (except for the priest thing…), and his songs are very funny and appealing to a broad audience with great writing, delivery and chorey!

Lachlan has a gift for simple and effective storytelling that is quite endearing and suited the show very well. Some opening night nerves made Lachlan appear slightly jittery at times, but I’m sure they will settle down and Lachlan can relax into his performance more. From a performer’s perspective he has put A LOT of pressure on himself with his all-singing, all-gags, mostly-playing and sometimes-dancing agenda! In accompanying himself on no less than three instruments, Lachlan certainly is working harder than most. 

I thought there was a slight lag in the middle of the show that could be tightened up by shaving back some verses and material. It was good to be mellow but the feeling rather overstayed its welcome.  However, the finale was sharp, witty, and brilliant to watch, with the emergence of a special Christmas costume and resulting song. I don’t want to give too much away but it was absolutely hysterical and a closing highlight for the show!

Lachlan is everyday funny like Hamish and Andy, writes clever and witty lyrics like Tim Minchin, and delivers them with the pathos of Tripod. One day I will see him on TV and be like, “Hey, I reviewed that guy once!” Thanks for the Handy Christmas Facts, Lachlan, and for the numerous laughs! Merry Christmas!

Dates: Thurs 8th to Sun 11th Dec
Time: Thurs-Sat at 9pm & Sun at 8pm

Venue and bookings: The Butterfly Club, Sth Melbourne

REVIEW: Luke Escombe is CHRONIC

Hilarious and no-holds barred comedy still has heart

By Jessica Cornish

Presenting Flight Of The Concordesque cabaret, Luke Escombe, armed with his trademark off-white suit and cream peak hat, certainly entertained his small, but enthralled Thursday night audience for the latest season of his hit show Chronic at The Butterfly Club.

Equipped with a beautiful acoustic guitar,the five-dollar keyboard that he snagged off a young girl at a garage sale, a loop pedal and a battery-operated pink dog that occasionally made cameo appearances, Escombe’s show was the perfect amounts of uncomfortable, edgy and very funny.

The evening begun with a short autobiographical AV presentation of Luke’s life, before the Sydneysider cruised through the audience on to the stage to kick off his one-man performance.

His hilarious songs were continuously engaging, and segments such as ‘The Riddler’ encouraged his audience to yell out answers to his questions while his miniature keyboard’s MIDI loop ploughed on through the PA.

Other musical highlights were his advice to budding singer-songwriters regarding the use of  weather as a cliched metaphor, his achievement in coaxing the only unfortunate male in the female-filled audience to sing  ‘It’s hard to be P-I-M-P’, and the failed conga line attempt to the ridiculous and outrageously titled, but very catchy song ‘Jerk Ya Cock.’

Whilst Chronic was sixty minutes of light-hearted entertainment and presented an array of outlandish songs, the show also fought to raise awareness of crohns disease that currently affects over 30,000 Australians, including Luke himself.

Weaved throughout his web of songs Luke tells the tale of his personal battle with the illness, including his eleven-day stint in hospital, his determination to get back to good health and his motivation to rejoin society in full strength. He’s even being flown to Canberra next month to raise awareness about the disease (through song) to Australia’s finest political folk.

Lucke Escombe’s Chronic is a great distraction from the mundane happenings of everyday life, and will bring a smile to all who can share or take a joke every now and then.

Chronic will be performed at The Butterfly Club on Friday 11 and Saturday 12 Nov at 9pm and Sunday Nov. 13 at 8pm.

REALLY NICE DAY: The Kooky Cabaret Debut of Miss Kitty Day

You know the saying, right? Silence is golden – but duct tape is silver…

Those on Facebook know that it pays to be friends with Miss Kitty Day.   She’s a lovely girl. She may be a little unhinged of course, but that’s probably because her dream man has disappeared.   

You see, all she really wants is for someone to sympathize with her, and then tell her where the bastard is.

Being a resourceful girl, since she needed a friend, she went out and got herself one. He’ll be there for her upcoming cabaret show, tied to the piano, and doing his best to – er – play along…

Really Nice Day is the cabaret kidnap creation of Melbourne artist Christine Moffat who is also a graduate of the Melbourne Solo Cabaret Course, and includes original songs plus some famous covers performed like cabaret has never heard them before.

Music man extraordinaire Trevor Jones is rumoured to be playing – we tried to get an interview with him, but apparently he’s all tied up at the moment…

You can follow Kitty’s hilarious status updates by becoming her friend on Facebook, and she tells us in our exclusive interview that she’s really looking forward to seeing you at her show next week because she just loves a captive audience.

Really Nice Day starring Miss Kitty Day opens at The Butterfly Club next week.

TICKETS:
Full $22
Concession $19
Groups (8+) $18

BOOKINGS:
www.thebutterflyclub.com
Ph: 9690 2000
204 Bank Street, South Melbourne
(just near the South Melbourne Town Hall)

Written & performed by Christine Moffat
Accompanied by Trevor Jones on piano
Directed by Kim Edwards
Publicity by Eleanor Howlett of Sassy Red PR


You should come. No – seriously. Come. You don’t want to make Kitty upset. No-one wants to make Miss Kitty Day get upset