Tag: Marissa Bennett

REVIEW: INFERNO: A Double Bill

Two dark and hellish tales

By Myron My

It’s not as an easy thing to go and explore the darker side of your humanity. For most, it’s the potential repercussions of those actions that prevent us from going any further than a fleeting thought. Citizen Theatre, in association with 5pound theatre and Attic Erratic Theatre, present Inferno: A Double Bill, two distinctly different yet thematically similar plays that question what it is that makes us human and how far would we go to get what we want.

Inferno.JPG

The first play by Irish playwright Mark O’Rowe, Crestfall, follows three women living in a tough and brutal town who are dealing with the abuse and hardness that characterises their location. While the performances themselves by Freya Pragt, Marissa O’Reilly and Marissa Bennett are highly committed and convincing, it was very difficult to engage with and remain engaged with the show the whole time.

Although the material is harrowing, and it therefore becomes difficult at times to listen to the women’s stories, the main issue for me was that the actors do such a good job with the accents, that at times you miss out on what is being said while trying to understand the thick brogue. It doesn’t happen often but it happens enough that I found it prevents you from being completely absorbed by what is happening.

With a minimalist stage design of bare white walls and a white-painted ladder, an unfortunately ineffective lighting design, and – while not a fault of the show itself but more to do with the choice of venue – the noise coming from the Speakeasy occurring one floor above, it was very difficult to stay absorbed in this world and fully comprehend the plight these women faced.

After a short intermission, the second of the double bill, Ariel Dorfman’s Purgatorio is performed, which, to be perfectly frank, is brilliant. Directed by Celeste Cody, it has the markings of an Attic Erratic performance with its emphasis on creating flawed and authentic characters that drive the plot.

Purgatorio finds a couple that must atone for their sins and learn to forgive each other if they are to be set free. The intelligent stage design for the show helps build the isolation and uncertainty that the couple find themselves in. The audience is split in two, sitting on either end of the stage and with a black scrim screen between the two performers, there are substantial periods of times where you can only hear and not see the other performer.

Pragt returns as the Woman and is just as focused and committed as she was in Crestfall. There is a moment when Pragt is handling a knife, and watching how she held and interacted with it displayed the level of skill and nuance she has in allowing the character take her over. Jason Cavanagh as the Man manages to convey a broken figure who is devastated but at the same time angry at what has been done to him, and finds the perfect balance of difficult emotions in his portrayal. The interactions between the two are gripping throughout and demand our attention.

While both plays in Inferno: A Double Bill take a look at what it is that makes us be human and questions why we do the things we do, i found the overall production of Crestfall to be rather disappointing. It seems rely too much on the skills of its excellent actors and not enough on creating the environment and mood of the piece. Purgatorio, on the other hand, brings together a variety of theatrical devices and creates a unique and visceral theatre experience. 

Venue: L1 Studios, 1/377 Little Bourke St, Melbourne, 3000
Season: Until 14 February | Tues -Sun, Crestfall 7.15pm, Purgatorio 9pm
Tickets: Both shows: $42 Full | $38 Conc, Single show: $28 Full | $22 Conc
Bookings: Citizen Theatre

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REVIEW: The Owl and the Pussycat Present FLESH EATING TIGER

Story gone wild

By Myron My

The Owl and the Pussycat returns for its 2015 season with the Australian premiere of Flesh Eating Tiger, written by Amy Tofte. I’m not going to beat about the bush with this one, I was sorely disappointed by this production and it is not at all what I have come to expect from this theatre venue.

Flesh Eating Tiger

My biggest issue lies with the script. When looking at individual scenes, it can be funny and sharp, but as an overall story it is just one big mess. Flesh Eating Tiger follows the relationship between two people, “A Woman” and “Some Drunk” and the destructive nature of obsession and love. However, before we can even get to know who these people are, the narrative is going off in so many frenetic directions that I could not keep up, and halfway through I frankly stopped caring enough about these people to even try.

The story is incredibly convoluted, which is surprising given how the scenes just seem to repeat themselves throughout the duration of the play. It almost reached the point where if  “A Woman” cried one more time or “Some Drunk” got angry and shouted, I probably would have done the same thing.

Zak Zavod (Some Drunk) and Marissa Bennett (A Woman) show promise for what is some demanding character work but it did feel like the story was controlling their character’s choices rather than the other way around. There were moments where they did well but overall the performances still lacked the emotional depth and complexity needed to sustain such roles.

It is under the watchful eye of director Jason Cavanagh that Zavod and Bennett manage to deliver some great moments in Flesh Eating Tiger. He’s clearly pushed them to get to the level they do and has built some incredible trust between them to perform some of the more intimate scenes. Cavanagh brings some great moments to life and the film-noir scene sits firmly in place as one of the highlights of this show.

Unfortunately though, I walked out of Flesh Eating Tiger not having learn anything or felt anything other than frustration and confusion. Sadly, this production feels more like a big presentation on pretentious self-gratification than the destructive capacity of relationships.

Venue: The Owl and the Pussycat, 34 Swan St, Richmond
Season: Until 7 March | Mon-Tues & Thurs-Sat 7.30pm, Sat 2pm
Tickets: $30 Full | $25 Conc
Bookings: http://www.owlandcat.com.au