Tag: magic


In search of a vanishing point

By Myron My

As we take our seats for #howtodisappear, a voice-over and screen in front of us begin stating the terms and conditions of sitting in this show. We are asked to turn off our phones, but then the conditions delve further and further into issues of privacy and the voice-over begins to speed up at an almost inaudible pace.


Once the exhaustive list is finished, we are told if we disagree with any of these we have three seconds to leave the venue – otherwise we have just signed on the dotted line. This humor sets the tone for the rest of #howtodisappear.

The two performers, Patrick Considine and Christian Taylor, charm with their banter and interactions with us, as they playfully attempt to ‘one up’ each other on “The World’s Most Difficult Magic Trick”. The magic tricks were great to watch and there was much discussion with my friend as to how they could have been done afterwards.

Even though I enjoyed the show, I struggled to see any link between what was performed on stage and the description of the event. I felt I would be seeing something about technology and how nothing is private and everything about you is out there but instead, it was more or less about the magic tricks.

The other thing that puzzled me was being asked to provide the artists with our name and number so we could “fully experience the performance”. However, all that transpired was a single text message that just reiterated what the artists has asked us in person. Even the response I sent resulted in no further interaction with them, so I was confused as to its purpose.

I feel more work was needed on the ideas that Considine and Taylor were trying to convey with #howtodisappear. A clearer link between show description and performance, for example, was something required for audiences to more fully appreciate this work.

#Howtodisappear was presented by Fr!sk Festival at the Victorian College of the Arts as part of the 2014 Melbourne Fringe Festival.


Crazy in all the right ways

By Jennifer Coles

If you’re looking for a broader range of entertainment and excitement crammed into your comedy show, Jared Jekyll’s Looney Bin is definitely the way to go.

One of the most promising (and certainly the most energetic) comedians to come out of Sydney, Jared Jekyll has created an unstoppable hour of beatboxing, magic, comedy and showmanship.  Jekyll’s self-deprecating and honest style of comedy is refreshing, and throughout the show he maintains a fantastic presence and relationship with the audience.

Jared Jekyll

Jekyll divides the show into several sections (or “bits” as he calls them), which focus around a certain topic or section. An absolute delight was his beatboxing section utilising a loop pedal, where he explains the basic functions of the equipment he was using, and proceeded to record his own voice and quite often afterwards, argue with it. He interspersed this with discussions with a parrot, magic tricks, and of course, puns.  His sections occasionally discussed the show’s broader themes, and he occasionally touched on a plot designed to keep the show running through.

Despite the energy and professionalism Jekyll displayed during the show, he was let down slightly by the script. The divisions between the sections of the show required stronger links to each other, however entertaining the individual portions were.

It appeared to be a show that could have utilised either a story and plot for its entirety, or just the standard storytelling usual in stand-up comedy shows. Because Looney Bin covered several different types of performance, and several different stories, better links were needed to keep the flow going.

In spite of that, I laughed myself silly. Jekyll displays amazing promise and dedication to his craft, and he is quite clearly going to have a long career. Looney Bin is hilarious, witty, and filled with surprises.  A wonderful and manic night out.

Dates: 18 – 21 April at 9.30 pm

Venue: Word Warehouse, 14 Goldie Place, Melbourne

Prices: $10-$15

Bookings: MICF online