Raucous ridiculousness done incredibly well
By Joana Simmons
Imagine a world where there are no rules, and your wildest silliest and most creative urges could be realised. In Madame Nightshade’s Poison Garden, Melbourne-based clown, theatre-maker, workshop facilitator and circus performer Anna Thomson creates this world, having an absolute ball herself in the process. It’s raucous ridiculousness done incredibly well. The detail and creativity in the props, set and physicality paves the way for boundless fits of laughter as the outrageousness builds.
Before the show even starts, the Friday night full house at La Mama are all in the mood for mischief. The intimacy of the theatre means we are instantly all friends ready for a unique experience. Anna Thompson requested at the end of the show for us not to tell anyone about it…. it’s fair to say that there are copious surprises that I could spoil, each one as incredible as the next. The set and creative art designed by Lara Week is of a garden, featuring vegetables, nightshade, a table and a compost bin. There’s intricacy to the props like a magic show and in the way that Thompson integrates them to the physicality of Beatrice (a devilish shape-shifter) and her alter-ego, Madame Nightshade. Through the show we are faced with several ideas – our effect on the planet, where we sit into societal stereotypes (and how we break those) and that ‘there’s shit in the beauty, and there’s beauty in the shit.’
This dark, visceral physical comedy incorporates clowning, buffoonery and queer spectacle. It’s a type of work that defies labels or boxes, and stands alone in its own little genre of twisted brilliance. Thomson’s characterisation and commitment throughout is impressive. Each facial expression of simple utterance says so much, holding us in the right amount of tension to relieve it or break the frame, leaving us the audience laughing and on our toes for what is next. My favourite moments, to give you a taster of what makes this show wonderful, was the spring-onion sword-fight to Prodigy’s “Smack my B***h Up,” King-Kong crunch (complete with every audience member participating) and anytime Thompson squeezed herself into something small and unexpected. The soundtrack, produced by Jacky T, combining everything from Alice Cooper to Disney, adds great drama and comedy. Sarah Ward (creator of famous cabaret character Yana Alana) was director, and should be applauded for creating not only an aesthetically engrossing show, but also a glamorously grotesque one. Thompson’s slick timing, facial expression and physicality says more than the sporadic snippets of storyline, and is hilarious.
A weirdly wild wonderful world is the best way to describe Madame Nightshade’s Poison Garden. It’s high class and full of laughs and an opportunity to go to unique crazy places. Appreciate the absurdity and get twisted up in the nightshade – book today.
Madame Nightshade’s Poison Garden is playing at La Mama, 21 September- 1 October 7:30 PM, Wed 6:30 PM, Sun 4:00 PM.