Pertinent and permeating progressive perfection
By Owen James
Witnessing an ensemble of collaborators and performers so in tune with each other, as well as in tune with the message and tone of the work they are presenting, is a rarity. Slut is a powerful dissection of the tangible inner conflict imposed on women making their journey from childhood to adulthood; and this is a production that for me comes close to perfection.
Patricia Cornelius’ exemplary yet disconcerting script was first performed in 2007, and as director Rachel Baring notes in the programme, “it is really hard when you take a piece from 2007 and it is just as relevant now as when it was written”. Baring has taken the raw, exposing elements inherent in Cornelius’ work, and turned the flame to high. Presented in the insanely intimate Fitzroy space ‘The Burrow’ (journey down a laneway off Brunswick Street to find a very cozy black box seating only 25), these feminist depositions are brutally honest and grippingly confronting. Baring ensures the dialogue and impressively rapid-fire choreographed movement are always as perturbing as the claustrophobic space these oppressed performers are unnaturally confined within. Lighting and sound design by John Collopy and Daniella Esposito respectively is exquisite, enhancing the text and direction at every turn.
The majority of dialogue is shared by a narrative triad composed of Lauren Mass, Jessica Tanner and Michaela Bedel. So impeccable is the timing and communal commitment to concentration shared by these three that we are transfixed with every word and gesture. Laura Jane Turner plays social renegade Lolita (named for the connotative qualities title “Lolita” recalls), and fearlessly delivers much of her exposition with disturbing composure mere centimetres away from audience members. This perfectly-matched company of four are of such high calibre I could happily have sat there fully engaged for hours.
A 30-minute show for almost $30 is a hard sell in our relentless economy where getting bang for your backbreaking buck is not only expected but necessary. But I’m here to tell you your spent dollars will be bereft of regret thanks to the dedication and expertise of these creatives. Slut is everything great theatre should be – urgent, relevant, and a good story well told; and proves how access to only limited resources is no obstacle to talented theatre-makers.
Don’t miss Slut, a powerhouse rollercoaster that propels itself forward with turbulent momentum at every turn, and will leave you simultaneously thrilled and terrified.
Running until March 21: https://www.trybooking.com/book/event?eid=586996
Photograph courtesy of Michaela Bedel.