Tag: Jennifer Kingwell

Review: THIS TRICK (The Story of Orpheus and Eurydice)

To hell and back for love

By Myron My

Using the Greek myth but set in a contemporary world, This Trick invites us to be voyeurs to a very private moment for Orpheus and Eurydice, who are so in love with each other that the rest of the world is seen as a danger they do not wish to be engaged with.

I particularly enjoyed the contrast of passionate declarations of love intermingled with trivial domestic arguments such as leaving the milk out, thus allowing those simple moments to be more intense. Much of the emotional impact is to the credit of the two leads Penny Harpham and Matt Hickey, and their hypnotic performances.

This Trick

Both were very strong and capable in taking on these roles, and the scripted words flowed as naturally as any spontaneous conversation. The on-stage chemistry and level of intimacy between them was palpable, and comfortably portrayed their characters’ jealousies, insecurities and fears in giving themselves over completely to the person they love.

There is a fitting sense of visual minimalism in this production: the set  is mainly a white mattress and white curtains and some bottles of alcohol. The ethereal environment established by designer Hanna Sandgren is further alluded to with the leads also beginning in white clothing.

In contrast, the dynamic lighting design by Julia Knibbs helped emphasise the passion and enveloping darkness for the two lovers: casting many shadows on their faces and using firey red to show the fierce passion between the two reminded me very much of the related myth of Dionysus and the dangers of excess. The stagecraft and music throughout This Trick is also well-executed and you can feel a lot of work has been done on this by all involved including sound designer Jennifer Kingwell.

Writer and director Kat Henry of Stella Electrika has produced a piece of work that is sharp, witty and real – even though there are times the dialogue does reach extremes, it is perfectly fitting in This Trick. A very powerful production all round, and one that makes you question just how much love is too much love.

Venue: La Mama Courthouse, 349 Drummond St, Carlton

Season: Until 3 March | Tue, Wed 6.30pm | Thu, Fri, Sat 7.30pm | Sun 4.30pm & 6.30pm

Tickets: $25 Full | $15 Concession

Bookings: http://lamama.com.au

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REVIEW: Sophie Walsh-Harrington is THE DAMSEL IN SHINING ARMOUR

An act of chivalry, bravery, comedy – and Celine Dion

By Kim Edwards

In all the best off-beat, edgy, witty and unlikely ways, The Damsel in Shining Armour is wonderful award-winning Fringe-esque comedy. Gagged and bound for her opening number, Sophie Walsh-Harrington promptly rescues herself from her bonds and her audience from their prosaic lives and sweeps us all into a modern musical melodrama with just the right amount of self-satire.

The great charm of the show is Walsh-Harrington herself, who enchants us with knightly tales of real-world romance where her laconic and satirical comic delivery is contrasted delightfully with outrageous physical humour, and punctuated with the reworked epic ballads of Celine Dion. Blessed with a rich and effortless voice, particularly in her lush lower register, our damsel fearlessly saves Celine from cabaret contempt with some clever musical arrangements and neat segues from story to lyrics.

The unique performance space of La Mama offered director Tom Dickins wonderful dramatic possibilities for unexpected direction and blocking, and beautiful Jen Kingwell is both an impressive musical ally and a lovely stage presence in the show.

Some of the show’s devices are more successful than others, and the narrative that has been so engaging and funny has a little trouble getting back up on the white steed after a particularly poignant moment, but the arch and over-arching charm of the performance is beguiling.

Ultimately, the show’s heroic skill at predicting and preventing cliches, drawing cleverly unconventional connections between anecdotes and songs, and Walsh-Harrington’s unwavering commitment to her material and character dub this damsel’s quest a triumphant knight’s entertainment.

The Damsel in Shining Armour won Best Cabaret for Adelaide Fringe 2011 and is now in Melbourne for the Comedy Festival.

Written and performed by Sophie Walsh-Harrington
Directed by Tom Dickins
Musical Director: Jennifer Kingwell
Tech and Lighting: Bec Etchell

La Mama Theatre, 205 Faraday St, Carlton
Wed April 6 – Sun April 17
Wed & Fri 6.30pm; Thurs & Sat 8.30pm, Suns 4.30pm
Duration: 60 mins approx.
Tickets: $25 / $15
Bookings: 9347 6142 / comedyfestival.com.au
For more information: www.lamama.com.au or http://sophiewalshharrington.com/