Tag: Jason Crick

Pursued By Bear Presents ORDINARY DAYS

Authentic and accessible

By Joana Simmons

Presented as the second part of a unique double bill, Ordinary Days is a slick contemporary chamber musical with heart. Bought to us by independent performance and production hire company, Pursued By Bear, this 90-minute show accomplishes their vision of telling great stories and challenging the theatre industry. The stories of four characters going about their days in New York weave into our hearts and each other’s lives through the delightful music and lyrics by Adam Gwon. It is a relatable, believable and thoroughly enjoyable show about growing up and enjoying the view.

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Chapel off Chapel is humming as the almost full house takes their seats. The white tulle suspended from the ceiling provides the perfect canvas for the colourful chirpy showtune opening sung by the ever-optimistic Warren (Joel Granger). We meet Deb (Nicola Bowman), a graduate who is feeling the standard Gen-Y dissatisfaction with life: wanting to achieve great things and reach that big picture but not quite knowing how. She loses her most precious possession – the notes to her graduate thesis, and this is the catalyst for a chain of events that turn the ordinary days of four New Yorkers into something extraordinary. Jason (Matthew Hamilton) moves in with his love Claire (Brittanie Shipway) and we see their excitement and tension build as a couple, as things from the past are revealed and their bond unravels. Through powerful songs and vignettes, these multiple stories become intricately connected and the audience becomes heavily invested.

The cast carries their individual stories and works together with accuracy and professionalism. Granger’s endearingly geeky portrayal of Warren is authentic and strong. Hamilton brings maturity to his role as Jason, however his accent and pitch took some time to settle and some movement felt forced, although once on the mark he was a treat. The female cast in their own respects stole the show for me though: Shipway’s singing and natural emotion, especially in “Gotta Get Out” were heart-melting highlights, and Bowman had the audience in stitches with her fantastic comic timing, smooth delivery and subtle yet hilarious physicality. Director Tyran Parke has done an outstanding job bringing such creative and dramatic gems out of these four talented people. Special commendation goes to musical director Stephanie Lewendon-Lowe as this show is basically entirely sung through; the storytelling and diction combined with great dynamic delivery of the songs was top-notch and she supported it all on piano the whole time. The lighting by Jason Crick bought life and drama to the relatively blank set, and whilst there were some minor sound issues on the night I attended, the technical team did a good job.

My favourite part was the end: there was some truly magical goosebump moments throughout, but the ending left me feeling beautifully warm (which was a relief considering the Melbourne temperature.) Whilst the storyline of Ordinary Days isn’t anything too groundbreaking, the music and characters pull us in and help us to see and appreciate the little things, which is so important, especially now.  Escape the cold and get swept up in finding the extraordinary in the ordinary.

Ordinary Days (part of double bill, Chump Days) at Chapel Off Chapel

8-18 June 
Time: 8pm Thursday-Saturday, 5pm Sunday
Tickets: $35 Preview (Thursday 8 June), $49 Adult, $39 Concession (+transaction fee)

http://chapeloffchapel.com.au/melbourne-comedy-theatre-art/melbourne-events/melbourne-theatre/ordinary-days-8-18-june/

Image by Ben Fon

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Monster Media Presents ONE FLEW OVER THE CUCKOO’S NEST

Impeccable
By Ross Larkin

When a show is preceded by its own reputation as an iconic, Oscar-winning film, one might be forgiven for having reservations about subsequent incarnations of any kind. Thankfully, Monster Media’s interpretation of One Flew Over the Cuckoo’s Nest puts all reservations to rest in a production that succeeds at the highest level.

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When Randle McMurphy (Michael Robins) is committed to a psychiatric asylum, he unwittingly provokes the menacing Nurse Ratched (Catherine Glavicic), who controls the ward with an iron fist, while forging the most unlikely of friendships in the process.

With award winning director Carl J. Sorheim at the helm, the play by Dale Wasserman and based on the novel by Ken Kesey is executed with delicate precision and just the right amount of integrity, light and shade.

The casting, in particular, is of exceptional note with an ensemble cast that bring complete authenticity and charm to the stage from the outset, including Eddie Muliaumaseali’i, Natalie BondNicholas DentonJack Dixon-GunnJosh FutcherDavid GannonKostas Ilias, Troy Larkin, Stephanie LillisPaul MorrisSeton PollockAngela Scundi and Ben Sofowora.

Michael Robins provides a fresh take as the mischievous McMurphy; a complex and demanding role which, in the wrong hands, could easily fail to affect. However, Robins makes the character his own and does very well in the process.

Catherine Glavicic as the subtly twisted Nurse Ratched is chilling yet sincere, offering an excellent concoction of kindness, authority, manipulation and bite, while Troy Larkin as the troubled Dale Harding is outstanding in a portrayal laden with conviction, torment and tenderness.

Add to the brew an alluring lighting (Jason Crick) and sound design, and a pace and energy to match, and Monster Media’s production of One Flew Over the Cuckoo’s Nest is most definitely not to be missed.

One Flew Over the Cuckoo’s Nest is playing now until June 11, 2017 at Southbank Theatre, The Lawler, 140 Southbank Boulevard, Melbourne. Tickets available at www.mtc.com.au or by phone on (03) 8688 0800.

Image by GW Photography