Getting ready for a hit
By Myron My
In Here Comes Your Man for the 2013 Melbourne Cabaret Festival, Alex Roe plays a hit man – a very successful hit man who has a slight career crisis when he meets the beautiful Abigail.
Roe has some good storytelling abilities and the twists and turns in his story were highly engaging without any lulls in this cabaret tale full of crime, death and love. Roe incorporates a nice level of dry humour and drama and seems very relaxed with his delivery and interaction with the audience.
As a performer, when you start to involve audience members in your act you do run the risk of inadvertently breaking character but watching Roe on stage, I did not feel as if he was an actor remembering his lines but found myself quite invested that this man really was a conflicted contract killer!
Here Comes Your Man has a good variety of songs but some of them did slow down the proceedings and cause Roe to lose the intensity he had built up, especially in the middle of the show. It seemed sometimes that either the song was not well-matched to Roe’s voice or it did not add to the story. However the songs where this was definitely not the case and were show highlights included Fairground Attraction’s ‘Perfect’ and (aptly) The Pixies’ ‘Here Comes Your Man’.
Roe is joined on staged by accompanist Tom Pitts and I honestly have never seen a pianist get so wonderfully involved into the music he is playing – his performance was flawless and fluid from beginning to end.
On this occasion, Here Comes Your Man was performed as a workshop season with Attic Erratic with plans of a full season run at the Melbourne Fringe Festival later this year. The concept is unique and interesting and Roe has the skill and charisma to eventually turn this show into the cabaret ‘hit’ it deserves to be.
This production took place on July 3 and 4 at The Butterfly Club as part of the Melbourne Cabaret Festival.