Tag: Eddie Muliaumaseali’i

Monster Media Presents ONE FLEW OVER THE CUCKOO’S NEST

Impeccable
By Ross Larkin

When a show is preceded by its own reputation as an iconic, Oscar-winning film, one might be forgiven for having reservations about subsequent incarnations of any kind. Thankfully, Monster Media’s interpretation of One Flew Over the Cuckoo’s Nest puts all reservations to rest in a production that succeeds at the highest level.

One Flew Over The Cuckoo's Nest.jpg

When Randle McMurphy (Michael Robins) is committed to a psychiatric asylum, he unwittingly provokes the menacing Nurse Ratched (Catherine Glavicic), who controls the ward with an iron fist, while forging the most unlikely of friendships in the process.

With award winning director Carl J. Sorheim at the helm, the play by Dale Wasserman and based on the novel by Ken Kesey is executed with delicate precision and just the right amount of integrity, light and shade.

The casting, in particular, is of exceptional note with an ensemble cast that bring complete authenticity and charm to the stage from the outset, including Eddie Muliaumaseali’i, Natalie BondNicholas DentonJack Dixon-GunnJosh FutcherDavid GannonKostas Ilias, Troy Larkin, Stephanie LillisPaul MorrisSeton PollockAngela Scundi and Ben Sofowora.

Michael Robins provides a fresh take as the mischievous McMurphy; a complex and demanding role which, in the wrong hands, could easily fail to affect. However, Robins makes the character his own and does very well in the process.

Catherine Glavicic as the subtly twisted Nurse Ratched is chilling yet sincere, offering an excellent concoction of kindness, authority, manipulation and bite, while Troy Larkin as the troubled Dale Harding is outstanding in a portrayal laden with conviction, torment and tenderness.

Add to the brew an alluring lighting (Jason Crick) and sound design, and a pace and energy to match, and Monster Media’s production of One Flew Over the Cuckoo’s Nest is most definitely not to be missed.

One Flew Over the Cuckoo’s Nest is playing now until June 11, 2017 at Southbank Theatre, The Lawler, 140 Southbank Boulevard, Melbourne. Tickets available at www.mtc.com.au or by phone on (03) 8688 0800.

Image by GW Photography

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REVIEW: The Production Company’s SHOWBOAT

Difficult classic musical beautifully re-staged for modern audiences

By Narelle Wood

Off the back of Guys and Dolls, The Production Company have put together another brilliant production, this time bringing to the stage Show Boat, directed by Roger Hodgman.

Mostly set in the Deep South during the late 1800’s, the story follows the characters of the Show Boat over the best part of 30 years. The show mostly centres on the cautionary love story of Captain Andy’s daughter Magnolia (Alinta Chidzey) and the no-good-river-gambler Gaylord Ravenol (Gareth Keegan).

Showboat - Alinta Chidzey and Gareth Keegan

But the show is about more than just the clichéd moral tale for good girls who meet bad boys and fall in love at first sight. The setting also allows for exploration of race relationships, the changing nature of entertainment (especially with the advent of new technology) and, perhaps most poignantly, the idea that no matter how much things might change, things also stay very much the same.

Chidzey and Keegan were tremendous in their roles as Magnolia and Gaylord, although Chidzey’s wig did seem a little too blonde for her darker features. Philip Gould was charming as Captain Andy, who, along with Ellie May (Nicole Melloy) and Frank (Glenn Hill) brings much needed light-heartedness to temper the darker side of the show. Judith Roberts provided some straight-laced humour as Parthy, and the exceptionally strong cast is rounded off with Christina O’Neill as Julie, Heru Pinkasova as Queenie and Eddie Muliaumaseali’i as Joe. While the performances of all the cast members including the ensemble were brilliant, Muliaumaseali’i’s performance of Ol’ Man River gave me chills, and it can only be described as sublime.

My expectations of any show from The Production Company is extremely high and I never walk away disappointed. Once again the costuming was great, from the 1800’s dresses complete with bustles to the asymmetrical raised hemlines of the 1920’s. Hodgman cleverly addressed the need to have a boat on stage through some stunning use of digital imagery. And given that I overheard a number of people singing on the way out of the theatre, I’d say that the orchestra did a pretty good job too.

If you didn’t see Guys and Dolls then Show Boat is an absolute must; the production value is priceless, the performances flawless, and, once again, Muliaumaseali’i’s rendition of “Ol’ Man River” is something not to be missed.

Venue: State Theatre, Arts Centre, Melbourne
Season: 21st to 23rd July 7.30pm, 20th August 1pm, 23rd August 2pm and 24th August 3pm.
Tickets: Full $48-$119 | Conc $24-$105
Bookings: http://artscentremelbourne.com.au/whats-on