Tag: depression

REVIEW: Daley King in I’M NOT ALRIGHT

Poetry, puppetry and poignancy in progress

By Myron My

Daley King has been living with depression for over a decade: longer, if you consider the fact his father has also lived with it. In his 2015 Melbourne Fringe Festival show debut I’m Not Alright, King takes us on a poetic journey on mental illness via physical theatre, a jazz soundtrack, and puppets.

I'm Not Alright

Apart from using his own experience, King has interviewed a variety of people with mental illness to create this story. King has a great ability to engage us with the poetic flow of his words as they paint a picture of a person who is struggling with his intense sadness and loneliness. The jazz music creates a poignantly contrasting image of laughter and chatter that signifies the mind-set that people with depression can have without King needing to explicitly address it.

King uses a puppet look-a-like of himself as his inner voice, invoking some light humour into the dark territory that is depression and suicidal thoughts. The use of the puppet reminds me of my own childhood experiences, and that as children all we ever want it to be loved and to feel safe. It adds a real vulnerability to King without him having to fall into cliché or stereotype.

While King does well in sharing and performing this intimate story, the narrative itself could still do with some fine-tuning, in particular the build-up to the conclusion. The ending occurs quite abruptly and seems to falter somewhat in retaining the thoughtful momentum King has established. At the end of the show, he explains that I’m Not Alright is still a work in progress and the impact of this finale is probably where he most needs to focus his attention.

I’m Not Alright is a touching but unsentimental exploration of mental illness with a person suffering from depression. Despite its topic, the show ends with hope for a better future, and with further development and a stronger narrative, there is a distinct chance King’s show will have a promising one too.

Venue: The Tuxedo Cat, 293 – 299 La Trobe Street, Melbourne.

Season: Until 4 October | Thurs-Sun 9.45pm

Tickets:$25 Full | $20 Conc

Bookings: Melbourne Fringe Festival

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Review: JO LOTH in Mind Games

Intense, evocative – and enlightening…

By Bradley Storer

To the straining sound of discordant guitar, a desperate woman trapped in material resembling a strait-jacket plunges through the performance space of The Butterfly Club. Before our eyes this lost soul escapes her confinement, and with the simple addition of a blonde wig transforms into the domineering Dr Jolene Mindtrick who guides us through the first steps on this journey – the mind plays tricks, she tells us, and we must learn to control it.

Performer Jo Loth, who emerges immediately after the appearance of Dr Mindtrick to speak directly to the audience, has crafted a confronting cabaret work based on her interviews with sufferers of mental illnesses like depression and bipolar disorder. It is also partly based on Loth’s own experiences, she openly admits at the beginning of the evening. 

A cavalcade of characters and their experiences and ways of coping with their disorders are introduced, each one explored in heart-breakingly realistic fashion through a variety of different original songs. The wide range of styles which appear, including opera, country and rap, seem particularly appropriate as different expressions of the broad spectrum of psychotic illness.

This is cabaret in its most intimate form, as Loth delves into the most and delicate aspects of the human psyche. Although the show remains, on the whole, light-hearted, it is not a show which elicits deep belly laughs from what it depicts: we are placed directly into the mindset of someone teetering close to the edge of complete breakdown or suicide. When Loth enacts parts of her own struggle with depression onstage, it feels like a precious gift is being given to the audience – we are not merely being told what it is like to suffer mental illness, but are being shown and made to experience this landscape of despair directly.

Loth is an incredibly skilled and committed performer, swapping between personas at a moment’s notice and bringing each character to life with rich physicality and a distinctive vocal quality. Her accompanist Damien Slingsby is a wonder, accompanying both on piano and electric guitar, expertly beat-boxing and even singing a song of his own which touches the heart with its simplicity and sincere emotion.

The reoccuring spectre of Dr Mindtrick, a symbol of the repression and denial which prevents sufferers from reaching out and seeking help for their pain, is a sharp and powerful reminder of the show’s primary message: the hidden and devastating pain of mental illness can only begin to heal if we acknowledge its existence. Mind Games, in bringing that message to light, is incredibly moving and ultimately uplifting.

Date: Thurs 7th to Sun 10th June
Time: Thurs to Sat at 7pm, Sun at 6pm
Ticket price:$23/$20 conc/$18 group

Venue: The Butterfly Club, 204 Bank St, South Melbourne

Bookings: www.thebutterflyclub.com