Look out for Yo Carmen
By Lois Maskiell
Carmen has thrived on world stages since Georges Bizet’s opera was first performed in Paris 1875, in María Pagés’ Yo Carmen the legendary character is treated to a contemporary flamenco makeover which drew a lasting standing ovation.
Seville-born dancer and choreographer María Pagés reinvents Bizet’s tale of passion and revenge with her interpretation that ends on a very different note. There’s no blood spilt by a jealous man or woman punished for her strength, what there is is a celebration of womanhood.
Seven elite dancers perform alongside Pagés and incorporate Bizet’s compositions and new, original music into their numbers. Co-directed by Pagés and playwright El Arbi El Harti the superbly structured production fuses movement, music and dialogue in a virtuosic narrative.
María Pagés is completely at ease with the audience, at 55 years she’s honed her craft and is a commanding presence on stage, exemplifying how flamenco embraces the female figure at all ages unlike other dance forms.
Raw and rhythmical, the cante flameno of singers Ana María Ramon Munoz and Sara Garcia Romero is backed by musicians Rubén Diaz Levaniegos and Isaac Munoz Casado (guitar), David Moniz Ordonez (violin), Sergio Fernando Menem (cello) and José María Uriarte Serrano (percussion).
A pioneer of contemporary flamenco, María Pagés has toured with Antonio Gades Company, worked on Carlos Saura’s dance films and since 1990 produced a steady output of award-winning productions with her own company.
Yo Carmen is a rare opportunity for Australian audiences to experience María Pagés’ incomparable contemporary flamenco style that’s steeped in folk traditions. Vive Carmen, vive el flamenco.
Yo Carmen ran at Arts Centre Melbourne 12 & 13 March after additional performances 8 & 9 March at WOMADelaide, Adelaide.
Dancers: Marta Galvez Lastre, Julia Gimeno Asins, Nuria Martinez Dominguez, Eva Varela Rubio, Chatal Soler Payano, Tatiana Cuevas Calzado, Natalia Gonzalez Alcala
Photograph: David Ruano