Smart, moving and challenging examination of sexuality in sport
By Samuel Barson
The results of a 2015 study into homophobia in sport documented that 87 per cent of Australian sportspeople felt compelled to hide their sexuality in some way.
Adam Fawcett’s smart and challenging new play, Become the One, tells the fictional story of Tom, a celebrated AFL player who belongs to that 87 per cent. When Tom meets the openly gay Noah, sparks immediately fly, and as their relationship grows so do questions around identity, sexuality and a devotion to a toxic masculinity that sport can bring.
Fawcett’s exquisite writing is undoubtedly the highlight of this production. His clever combination of romance, comedy and drama has given director Lyall Brooks and actors Chris Asimos and Henry Strand the room to explore and create a piece of theatre that is exceedingly important for audiences to witness. Asimos is charismatic and brooding as Tom, the perfect counterweight to Strand’s precocious, yet sweetly gentle Noah. The two bounce off each other beautifully and present a dynamic and chemistry that surpass the stereotypes their respective characters could have easily risked slipping into.
The set design was simple and stationary yet exceedingly effective: the relationship never leaving Tom’s apartment just as Tom wanted it, behind closed doors and away from the public eye. It’s amusing to note the decision to design the set with synthetic grass (footy oval!), and the use of a single red pillow (footy!) that made its way around it. As an equal lover of footy and theatre this imagery pleased me greatly. Tom Backhaus’ and Benjamin Morris’ respective sound and lighting design complimented the rest of the production well, providing various atmospheres of swelling emotions as Tom and Noah journeyed through the highs and lows of their relationships.
It cannot be stressed enough how important a story like this is. Classy, sharp and deeply moving, Become the One makes for a special experience. A huge congratulations to all involved.
Become the One is currently playing at Gasworks Theatre until 9 February as part of Midsumma Festival. Tickets can be purchased online or by calling the box office on 03 8606 4200.
Photograph: Jodie Hutchinson