A chance to witness Australia’s up and coming classical dancers
By Leeor Adar
Entranced from the moment the curtains open upon the dancers, it is evident that there is no such thing more beautiful than the artistry and skill of the ballet.
The Australian Ballet School prides itself on its high quality training opportunities for talented young performers, and I am thrilled to say that the talent very much shines in the 2018 Showcase directed by Lisa Pavane. Dancers from Level 1 – 8 perform under the direction of some of the best teachers Australia has to offer, and the pieces vary from contemporary to fairy tale, flamenco-inspired to the tongue-in-cheek.
The Showcase opens with a tiny ballet dancer lifting the veil upon the scene, and we begin with the masterwork of choreographer Paul Knobloch, an Australian Ballet School alumnus with the capacity to arrange 121 dancers into stunning visual formations with the Grand Défilé (a grand parade in literal translation). The Défilé is really a glorious start to this production, as the choreography is just gorgeously cinematic in its scope. Knobloch has an enormous task on hand, but manages to make this a triumph. This was the perfect opportunity to let any doubt of the calibre of the young performers disappear into the tulle.
If the audience had any doubts about the extent The Australian Ballet School could stretch its flavour, the Alegrías choreographed by Areti Boyaci which featured on stage Spanish guitar by Werner Neumann established the Showcase as something to be reckoned with. The flair with which the performers managed keep to the 12 beat rhythm of the flamenco was an excellent choice for exhibiting the performers’ versatility.
The Don Quixote, Dryads, Act II was a charming nod to tradition, featuring Ludwig Minkus’ music, with extraordinary costumes. I enjoyed the sweep into fantasy, but admittedly craved something bolder, which I had begun to really expect after such enticing earlier numbers. I was delighted by the Wolfgang Dance choreographed by the excellent Simon Dow to Mozart’s Allegro from Eine Kleine Nachtmusik (which we know as ‘A Little Night Music’). The Level 4 students were brilliant and able to bring an enormous humour and spirit to the performance, which featured baroque white wigs and many laughs from the audience.
A standout performance for me was the wonderful troupe of male dancers in the Knobloch choreographed Valetta. Knobloch establishes himself as a master of ballet ensemble here, and the dancers are absolutely breathtaking moving works of art as they perform the classical movement which featured the flair of the late 1950s Metro-Goldwyn-Mayer musicals.
The final act featured the elegant and fluid wonder of the Ballo Barocco, choreographed by Stephen Baynes, featuring the beautiful music of Bach. Initially created for Level 8 dancers, the Level 6 dancers took on this piece with astonishing mastery. Heart Strings was a poignant series of dances choreographed by Margaret Wilson showcasing the experiences of the Level 6 students. With humour and incredible maturity, these pieces were navigated by the students, with notable standouts in Enter the Protagonists and the Bullied.
The final performance of the night, the Danza de la Vida choreographed by Simon Dow borrowed from the tango traditions of Argentina. I found this performance a nice piece to cap the Showcase, however there was a pool of talent that I felt had been under-utilised. Despite that, it was an elegant way to end the evening, and certainly proved that The Australian Ballet School harnesses and hones the astonishing talent of its young performers.
The Australian Ballet School’s 2018 Showcase is headed next to Canberra for a showing on the 22 September. Tickets can be purchased online.