Melbourne City Ballet Presents Sleeping Beauty

Beauty and grace on display in an opulent fairytale world

By Christine Young

Melbourne City Ballet’s touring production of the almost 130-year old ballet Sleeping Beauty is a beautiful, breathtaking performance inspired by the original choreography of ballet master Marius Petipa. The ballet company’s founding artistic director Michael Pappalardo has choreographed a stunning first-rate production, which showcases the talents of an ensemble cast, that ranges in skill level from emerging to principal artists.

Set to Tchaikovsky’s original score, the ballet is performed in a prologue and three acts closely based on the classic fairytale Sleeping Beauty. When the red curtain at Darebin Arts Centre draws open, the audience is invited into the opulent palatial world of a King and Queen preparing for the christening of their daughter, Princess Aurora.

This is a fairytale world full of beauty, grace and serenity animated by five fairy godmothers and their leader, Lilac Fairy (Alexandra Rolfe) who dances with outstanding skill and agility. Lilac Fairy is the positive, stabilising force responsible for bringing blessings and peace to the royal family before and after the uninvited evil fairy Carabosse (Alexia Cannizaro) casts the curse on Princess Aurora.

 

Ms Cannizaro as Carabosse is a delightful villain (if that’s possible!) who is tall, nimble and perfect for the role. Award-winning ballerina Ariana Hond as the 16-year old Princess Aurora gives the standout performance of the production. Ms Hond’s dancing is flawless and the only disappointment is that Princess Aurora doesn’t have more stage time. Audience members can look forward to incredible pirouettes and impressive control as well as strength and dexterity from this young dancer.

In fact, Mr Pappalardo is spot-on with all casting choices which shows he fully understands the strengths of his dancers. Principal artists, Yuiko Masukawa and Brendan Bradshaw appear in smaller roles but their extensive experience creates a lasting impression.

Princess Aurora’s suitor, Prince Désiré is performed by junior artist Henry Driver whose overall performance was strong, but he faltered a little in his initial pas seuls (solos) – this didn’t stop him from smiling though. Mr Driver recovered well for the remainder of the ballet, delivering a perfect pirouette in a later moment. Overall, this production is beautiful and graceful and I loved the lavish, Baroque-style costumes, which were just as alluring as the dancing itself.

Sleeping Beauty is being performed at Darebin Arts Centre until 22 April before touring Victoria via Wangaratta, Frankston and Geelong until 5 May. Tickets can be purchased online.

Advertisements