REVIEW: Rosie Rodiadis is UNCLOAKED

Looking under the hood – cabaret-style

By Ross Larkin

Anyone who’s ever worked in a customer service role can attest to the array of fascinating, if at times downright frustrating characters one encounters, and is often obliged to deal with.

As part of the 2013 Melbourne Fringe Festival, Rosie Rodiadis is exorcising, observing and celebrating her own range of experiences had as that of a theatre cloakroom attendant, in her self-penned, one-woman cabaret show Uncloaked.


The confinement and mystique of an old theatre cloakroom, complete with outfits and accessories galore from patrons of every ilk, make for a delightfully indulgent and clever premise where any persona can be explored and brought to life.

Rodiadis showcases her versatility as she frocks up and assumes myriad of characters including an angry Italian diva, a bright seven-year-old girl, a wise old alcoholic and a Yugoslavian whore, amongst many others.

Uncloaked is peppered with relevant and familiar songs, all sung by Rodiadis, several of which she has added her own lyrics and meaning to, and, in turn, provide the more humorous moments of the piece.

Vocally, however, opera is clearly her strength, and thus, the show could benefit from the inclusion of more – a style in which Rodiadis seems most confident.

As she tells the story of her cloakroom-attending days, there is no shying away from bold statements, sexuality and political points of view. Rodiadis tends to succeed particularly when embodying the more brazen, larger-than-life, characters, although ultimately the show is about loneliness and the guises we hide behind, as this isolated performer gradually reveals (and uncloaks) her personal truths.

Uncloaked is playing at the Portland Hotel, 127 Russell St, Melbourne from September 27-29 and October 1 and 4-6 at 8.45pm. Tickets at