Into the darkness…
By Myron My
Entering the theatre space at Theatreworks for night maybe felt like I was venturing into an ethereal world. I immediately felt the stillness of my surroundings whilst a swirl of fog hid much of the set; all I could see was grass and I half-expected some zombies to come staggering out like Michael Jackson’s Thriller, such was the intensity.
Instead, two siblings Tom and Sasha (Tom Conroy and Sarah Ogden), appear and they are lost in a park. They argue and Tom disappears leaving Sasha alone. From there, she meets a variety of characters, and it’s up to us to determine if they are real or imaginary. It’s like Alice has stepped into Wonderland again but the darkness dial has been turned up a few notches. It’s a world where time seems to be ignored: watches are broken and people are running late.
Both leads are strong and show their versatility with a demanding script that could easily have resulted in them getting too caught up in the complexities and rushing through or losing their momentum, but they stay true to their characters and the themes of the show. The supporting cast of Marcus McKenzie and Brian Lipson further solidify the remarkable acting in night maybe.
Kit Brookman’s script is like a cloud of black smoke which slowly envelops us as it deals with issues of love, being alone and abandonment. The lines are delivered fast, which is a nice contrast to the minimal action happening on stage. This is a wordy play with lots to think about so it’s good not to be too overwhelmed especially with the technical styling.
Mel Page’s set creation is one of the simplest yet most effective ones I have seen for some time: there is real grass laid out covering the stage, with three leafless trees hidden in the mist and darkness. Richard Vabre’s lighting design and his use of shadows, darkness and depth suggests that the park we find ourselves in extends for eternity, adding a supernatural overtone to the show. I particularly enjoyed the effectiveness of characters coming out from within the shadows and disappearing back into them.
However, it was James Brown’s haunting music and sound that really and aptly struck a chord with me. From eerie soundtrack moments to a lone piano key being played – there is reason and purpose to everything he creates. Without giving too much away, one particular scene had me almost gasping for breath and provoked a very strong visual response from me too.
It is rare when all the elements of a show come together in such a perfect way to create a special piece of theatre. night maybe is a glorious example of this.
Venue: Theatreworks, 14 Acland St, St Kilda
Season: Until 1 September | Tues- Sat 8:00pm, Sun 5:00pm
Tickets: $30 Full | $25 Conc
Bookings: 9534 3388 or http://www.theatreworks.org.au