Unusual look at the theatre in theatre
By Myron My
Ditto, A Story is a love tale between three actor friends trying to get all they can out of life. Not only are they looking for the one but they are also in search of their one big break.
The most intriguing part of Ditto…A Story is when the three friends attend their ‘audition’. It’s an audition performed live that is taken by a different director each night.
On opening night, Deborah Leiser Moore, a director who creates a lot of physical and immersive performance-based works takes the actors through her own audition process. It’s very much art imitating life and you can’t help but feel nervous and anxious for the actors and that you are intruding on a very personal moment where they are genuinely vulnerable.
Unfortunately the three characters of Freya, Que and Moqui upon whom this story turns (Malina Maria Mackiewicz, Mischa Grunenberg and Reece Vella) lacked believability, and I felt more exploration was needed regarding their desires and wants. There were times I felt reminded that I was watching actors on stage rather than the actual characters.
The set consists of a number of sheets as curtains hanging on a line from one side of the stage to the other that the actors slide open and closed to go “backstage”. The busker (Annie Schofield) sits at the end of the stage and sets the “chapter” of each scene by playing drums and at times naming locations such as ‘bar’ or ‘taxi’. I quite enjoyed this process as it allows the visual to be created as you see it.
Lech Mackiewicz’s script has moments of sharp and witty dialogue, however there are times where things occur out of nowhere that seem implausible or there is no development on these revelations. In the final scene for example, there is a change in the relationship between Que and Moqui and Freya that seems out of place but is left up in the air.
Ditto, A Story takes a very innovative approach to theatre with its audition element and breaks the barrier of observer and participant in interesting ways, but it falls short in allowing its characters to establish an enduring connection with the audience.
Deborah Leiser Moore (June 19)
Melanie Beddie (June 20)
Suzanne Chaundy (June 21)
Cheyney Caddy (June 22)
Daniel Schlusser (June 23)
Venue: La Mama Theatre, 205 Faraday Street Carlton
Season: Until 16 June | Thurs-Sat 7:30pm, Sun 6:30pm
Tickets: $25 Full | $15 Conc
Bookings: http://lamama.com.au or 9347 6142